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How TikTok is Reviving the Māori Peoples: A Case Study into the ‘Te Tiriti O Waitangi’ Civil Movement, Diasporic Solidarity, and Empowerment of Minoritised Communities


Introduction

As Baker & Lowman (2024) suggest, we are on the precipice of a great and unprecedented shift for indigenous nations and people. A shift driven by resurgence movements that assert indigenous nationhood and autonomy, challenge settler colonial structures, and embrace land-based practices to create decolonised futures (Baker & Lowman, 2024).

In this discussion, I will examine the complex role of TikTok as a catalyst for cultural revival, focusing on the indigenous Māori experience and the evolving political landscape shaped by the ‘Toitū Te Tiriti’ movement (heretofore referred to as the ‘Movement’). Whilst the concept of a Māori cultural renaissance is not new, the contemporary shift toward a culture-first ideology has gained unprecedented attention within the digital space, uniting indigenous communities domestically and globally (Casson, 2023). This paper examines the intersection of TikTok, Māori cultural revival, and the broader Movement, arguing that social media platforms like TikTok are not only empowering Māori communities to engage in political advocacy but also create diasporic solidarity and cultural resurgence, and thus facilitating the reclamation of Māori sovereignty and collective empowerment for minoritised communities globally.

This discussion begins with an introductory evaluation of the theoretical and cultural foundations of the Movement, followed by an exploratory discussion on the role of TikTok as a platform for indigenous cultural revival with a focus on the Māori culture. The remainder of this paper links these insights to the growth of diasporic solidarity prompted by the movement and empowerment of minoritised communities, with reference to historical demonstrations of resistance and cultural reclamation.

Framing the Discussion: A Prelude to Indigenous Resurgence and Reasons for ‘Toitu Te Tiriti’

The current Movement has emerged in response to historical and contemporary challenges to Māori sovereignty, aiming to reinforce indigenous rights, decolonise New Zealand, and counter attempts to undermine the legitimacy of the Treaty (Amnesty International Aotearoa New Zealand, n.d.). This Movement draws upon the fraught history of Māori resistance, hallmarked by significant events such as the Waikato War, Native Lands Act 1865, establishment of the Waitangi Tribunal, Bastion Point occupation and Māori Land March of 1975 (Clavé-Mercier, 2022; Ministry for Culture and Heritage, 2024; Minority Rights Group, 2018). Despite the false assurances of governments and authorities to uphold the treaty since its inception, the Waitangi Tribunal, has played a crucial role in exposing the breaches of the Treaty, reinforcing the ongoing struggle for Māori and the urgency for mass mobilisation (Ministry for Culture and Heritage, 2024).

After the Second World War, Māori migration to urban areas was largely driven by economic opportunities, with the government anticipating that this shift would facilitate their assimilation into Western society (Hill, 2012). However, institutional racism and systemic oppression significantly eroded the preservation of Māori culture (Derby, 2011), leading to the formation of ‘hybrid’ identities to neutralise and suppress indigenous expression (Iyall Smith & Leavy, 2008). This pattern of forced assimilation and cultural erosion reflects the experiences of indigenous peoples globally, such as Australia’s Stolen Generations, which similarly sought to dismantle indigenous identity through state policies and coercive control (The Lancet Public Health, 2018).

In contemporary context, the resurgence of Māori cultural and linguistic revitalisation spearheaded by the kōhanga reo generation has been at the forefront of New Zealand’s media and political discourse (Casson, 2023). This revival aligns with broader global decolonisation efforts (Huygens, 2011) and has gained further momentum through the election of Te Pāti Māori representatives, marking a shift toward greater political sovereignty and autonomy (Casson, 2023).

Resistance to Māori self-determination remains destabilised by the coalition Government’s 100-day plan, which threatens to widen existing disparities in health, education, and social services (Pitama et al., 2024). In response, the Movement has mobilised Māori communities to advocate for their rights and amplify political and social pressure to ensure the government upholds its obligations under the Treaty. This movement represents not just a reaction to present policies but a continuation of the long-standing struggle for indigenous sovereignty and equity in New Zealand (Casson, 2023).

Given the wealth of research exploring the role of TikTok as a platform for cultural revival, there is limited academic research focused on the Movement and its evolving intersections with social media, identity and political advocacy.  As Māori users continue to leverage TikTok to advocate for recognition of Māori sovereignty and cultural significance, this phenomenon remains underexplored in scholarly discourse and represent a missed opportunity for complex and important dialogue. Overall, the Movement reflects a sustained trajectory of Māori resistance and resurgence shaped by historical injustices, ongoing systemic challenges and a renewed agenda for sovereignty, cultural revitalisation, and political advocacy, that is now being expressed through platforms like TikTok.

TikTok as a Platform for Cultural Revival 

The participatory structure and expansive reach of TikTok has transformed the platform into a powerful tool for indigenous-led political advocacy, whereby Māori creators and organisations are strategically harnessing social media to challenge colonial narratives, promote decolonial discourse, and foster civic engagement among younger and digitally native audiences (Purdy, 2009; Lee & Abidin, 2023). The interactive and community-oriented structure of social media facilitates collaborative content creation, with authorial agency emerging organically rather than through hierarchical control. These dynamics are enabled by the expansive interconnectedness of contemporary global media networks and allow for cross-cultural interaction (Purdy, 2009). TikTok has rapidly grown to become a digital vanguard for political advocacy, specifically within youth and adolescent users (Literat & Kligler-Vilenchik, 2023), through the platform’s participatory nature and the growing contemporary awareness of socio-cultural and political issues (Lee & Abidin, 2023). Today’s social media culture is primarily shaped by TikTok and its wealth of interactive tools such as short-form videos, voiceovers, meme formats, music, duet options, and greenscreen effects. When combined with trending content styles like activism, dance trends, viral challenges and even humour, sensitive and neglected topics are being shared in a light-hearted and accessible manner (Lee & Abidin, 2023).

In spreading awareness about New Zealand’s fraught political climate and asserting indigenous ideological frameworks, the Aotearoa Liberation Leage ([@aotearoaliberationleague], n.d.), Te Pāti Māori party ([@te_patimaori], n.d.) and Whakaata Māori ([@whakaatamaori], n.d.) have been instrumental figures. These organisational accounts not only confront policy issues and government actions through an indigenous lens but promote decolonised thinking and cultural theory in a way that resonates with intergenerational audiences. By leveraging TikTok’s algorithmic potential for virality and community-building, they are bridging the gap between grassroots activism and mainstream visibility, leading to greater political literacy, civic engagement, and amplifying Māori worldviews in the broader sociopolitical discourse of New Zealand.

To facilitate the growth of these platforms, independent users are likewise leveraging mechanisms of Spreadability, including commenting and sharing, to spark conversations about indigenous rights, demystifying the Treaty and encouraging diasporic communities to re-connect with their heritage. This was the sentiment of the viral TikTok featuring Hana Rawhiti performing a compelling haka in protest of the proposed Treaty Principles Bill(The Daily Telegraph [@dailytelegraph], 2024). Since its publishing, 283.4k users have liked and shared the post, allowing it to be viewed beyond the scope of the target audience and generate media interest (The Daily Telegraph [@dailytelegraph], 2024). This growing digital momentum not only reflects a shift in how indigenous voices are being heard but also prompts deeper reflection on the evolving role of social media in shaping political consciousness and cultural resurgence in New Zealand.

Diasporic Solidarity and the Role of TikTok

Not only has TikTok connected the indigenous communities within New Zealand, but it is uniting diasporic communities across borders and creating transnational discourse amongst other indigenous populations such as Aboriginal Australians, to collectively subvert the tainted legacy of colonisation. The concept of diasporic solidarity is largely unexplored as it applies to indigenous Māori, but the most compelling explanation refers to it as “imagined transnational communities based upon communication, connectivity and the formation of collective institutions, movements and narratives that transcend borders” (Budarick, 2014, para. 14). Keles (2016) expands on this, arguing social media plays a key role in connecting stateless diasporas, fostering digital social networks and capital, and enabling greater cultural, political, and civic participation across national borders.

Given the rampant migration of Māori since colonisation, the symbolic connection through culture is assumed to be the primary motivation to create solidarity across borders despite pervasive cultural separatism (Nikora, 2007; Derby, 2011).  Established accounts and independent users are producing figurative and literal call-to-actions through hashtags and content to encourage diasporic communities to join the cause and leverage their identity in creating a mass mobilisation (TikTok, n.d.). Aotearoa Liberation League ([@aotearoaliberationleague], 2022), appeals to diasporic communities and encourages solidarity and support as a demonstration of allegiance to the cause. 

Beyond the scope of the Movement, users are demonstrating solidarity through participation in cultural challenges and trends which are simultaneously encouraging others to develop an awareness of their identity and embrace it. The most profound example of this is the dance trend created to ‘35‘ by Rob Ruha and Ka Hao, which generated over 32.9M posts (TikTok, n.d.). The trend is a milestone for amplifying Māori indigeneity on a global landscape enabling people to celebrate Māori culture and kapa haka through an accessible trend that blends contemporary culture and tradition (TikTok, n.d.). Additionally, As of April 2025, the topic of the ‘Treaty of Waitangi’ has generated approximately 96.5 million global engagements and TikTok posts, underscoring its enduring relevance and significance within contemporary audiences and academic or socio-political discourses (TikTok, n.d).

Overall, TikTok has become a powerful platform for fostering diasporic solidarity among Māori and other indigenous communities, facilitating transnational dialogue, cultural expression, and collective resistance through digital activism, shared narratives, and globally resonant trends that celebrate First Nations identity.

Empowerment of Minoritised Communities through Social Media

The foremost outcome of this paper is to shed light on the potential of social media to empower minoritised communities through enabling self-expression outside of traditional media, challenging the status quo and uniting the disenfranchised for the advancement of culture and self-preservation. (Carlson & Kennedy (2021) implicates social media as a powerful tool for indigenous people to express their identities, connect with others, and participate in cultural conversations, despite the ongoing challenges and racism associated with indigeneity and alterity. Indigenous users are navigating these paradoxes with awareness, and using social media to reinforce identity, create virality for political commentary, build community networks and subvert oppressive narratives (Carlson & Kennedy, 2021).

Though there isn’t explicit research focusing on this existing paradigm through the lens of the Movement, there is academic discourse that explores how Aboriginal Australians are using social media to respond to racial vilification and collective trauma, highlighting a concept of “shared recognition” to describe the communal anger and frustration sparked by public reminders of colonialism (Carson et al., 2017). Māori creators on TikTok are similarly using the platform to challenge colonial narratives and promote political discourse around the Movement and, like Aboriginal Australians’, using social media to create resistance, initiate collective action, and reclaim their identity. In reflecting on these findings, it is evident that social media offers indigenous communities not only a space for reclaiming and expressing their identities but also a powerful means of confronting intergenerational trauma and forging a path toward cultural revitalisation and collective healing (Duarte, 2017).

Stepping into a New and Indigenous-Led Era

TikTok provides a platform for Māori creators to share cultural knowledge, challenge colonial narratives, and engage wider audiences in conversations about decolonisation and indigenous rights. Through its interactive features, the app supports and facilitates the circulation of indigenous perspectives while fostering critical dialogue and cultural resurgence within and beyond New Zealand. In this way, TikTok is reviving the Māori culture and amplifying the Movement, promoting diasporic Solidarity, and empowering minoritised communities beyond the home front. As digital landscapes and indigenous social media communities continue to evolve, I can only imagine the transformative potential for my people, whereby indigenous voices not only reclaim their identify and space but redefine the future through the lens of culture and Tino Rangatiratanga (Self-determination).

References

Amnesty International Aotearoa New Zealand. N.d. Toitū Te Tiriti O Waitangi. Amnesty International. https://amnesty.org.nz/upholding-te-tiriti-o-waitangi/

Aotearoa Liberation League [@aotearoaliberationleague]. (2022, 10 August). What is Decolonisation? In the modern context, particularly in Aotearoa, it is more about recognising the colonial construction [Video]. TikTok. What is Decolonisation?  In the modern context, particularly in Aotearoa, it is more about recognising the colonial construction of our systems, than ‘returning’ to a pre-colonial society. When we do that, we open up a whole world of possibilities. #decolonisation #manamotuhake #tinorangatiratanga #māoriculture #maori #decolonial #revolution #aotearoa #nz #colonisation

Aotearoa Liberation League [@aotearoaliberationleague]. (n.d.). TikTok. https://www.tiktok.com/@aotearoaliberationleague?lang=en

Baker, A., & Lowman, E.B. (2024). Chapter 19: Indigenous resurgence. In Lightfoot. S & Maddison. S (Eds), Handbook of Indigenous Policy (pp. 351–371). Edward Elgar publishing. https://doi.org/10.4337/9781800377011.00028

Budarick, J. (2014). Media and the limits of transnational solidarity: Unanswered questions in the relationship between diaspora, communication and community. Global Media and Communication10(2), 139-153.  https://doi.org/10.1177/1742766514540070

Carlson, B. L., Jones, L. V., Harris, M., Quezada, N., & Frazer, R. (2017). Trauma, Shared Recognition and Indigenous Resistance on Social media. AJIS Australasian Journal of Information Systems21. https://doi.org/10.3127/ajis.v21i0.1570

Carlson, B., & Kennedy, T. (2021). Us Mob Online: The Perils of Identifying as Indigenous on Social Media. Genealogy 5(52). https://doi.org/10.3390/genealogy5020052

Casson, J. (2023, October 25). Who are the ‘kōhanga reo generation’ and how could they change Māori and mainstream politics? The Conversation. https://theconversation.com/who-are-the-kohanga-reo-generation-and-how-could-they-change-maori-and-mainstream-politics-215694

Clavé-Mercier, V. (2022). Politics of Sovereignty: Settler Resonance and Māori Resistance in Aotearoa/New Zealand. Ethnopolitics, 23(1), 1–19. https://doi.org/10.1080/17449057.2022.2096767

Derby, M. (2011). Māori–Pākehā relations: Māori urban migration. Te Ara – the Encyclopaedia of New Zealand. http://www.TeAra.govt.nz/en/maori-pakeha-relations/page-5 

Duarte, M. (2017). Connected Activism: Indigenous Uses of Social Media for Shaping Political Change. Australasian Journal of Information Systems, 21. https://doi.org/10.3127/ajis.v21i0.1525

Hill, R. S. 2012. Māori Urban Migration and The Assertion of Indigeneity in Aotearoa/New Zealand, 1945–1975. Interventions14(2), 256–278. https://doi.org/10.1080/1369801X.2012.687903

Huygens, I. (2011). Developing a Decolonisation Practice for Settler Colonisers: A Case Study from Aotearoa New Zealand. Settler Colonial Studies, 1(2), 53–81. https://doi.org/10.1080/2201473X.2011.10648812

Iyall Smith, K. E., & Leavy, P. (Eds.). (22 Aug. 2008). Hybrid Identities. Leiden, The Netherlands: Brill.  https://doi.org/10.1163/ej.9789004170391.i-411

Keles, J. Y. (2016). Digital Diaspora and Social Capital. Middle East Journal of Culture and Communications, 9, 315-333. https://www.researchgate.net/publication/310462920_Digital_Diaspora_and_Social_Capital

Lee, J., & Abidin, C. (2023). Introduction to the Special Issue of “TikTok and Social Movements”. Social Media + Society9(1).  https://doi.org/10.1177/20563051231157452 

Literat, I., & Kligler-Vilenchik, N. (2023). TikTok as a Key Platform for Youth Political Expression: Reflecting on the Opportunities and Stakes Involved. Social Media + Society9(1).  https://doi.org/10.1177/20563051231157595

Ministry for Culture and Heritage. (2024). Treaty timeline. New Zealand Government.  https://nzhistory.govt.nz/politics/treaty/treaty-timeline/treaty-events-1950,

Minority Rights Group. (2018). Māori in New Zealand. Minority Rights Group. https://minorityrights.org/communities/maori/

Nikora, L.W. (2007). Māori Social Identities in New Zealand and Hawai’i [Doctoral dissertation, University of Waikato]. University of Waikato Research Gateway. https://researchcommons.waikato.ac.nz/bitstream/handle/10289/2574/thesis.pdf?…=

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Te Pāti Māori [@te_patimaori]. (n.d.). TikTok. https://www.tiktok.com/@te_patimaori?lang=en

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TikTok. (N.d). Discover 35 Rob Ruha and Ka Hao. TikTok. https://www.tiktok.com/discover/35-rob-ruha-and-ka-hao?lang=en

TikTok. (N.d). Discover Treaty of Waitangi. TikTok. https://www.tiktok.com/discover/treaty-of-waitangi Whakaata Maori [@whakaatamaori]. (n.d.). TikTok. https://www.tiktok.com/@whakaatamaori?lang=en

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11 responses to “How TikTok is Reviving the Māori Peoples: A Case Study into the ‘Te Tiriti O Waitangi’ Civil Movement, Diasporic Solidarity, and Empowerment of Minoritised Communities”

  1. PGriffiths Avatar

    This essay illuminates TikTok’s groundbreaking work in reviving Māori culture, constructing diasporic solidarity, and amplifying the Toitū Te Tiriti movement. It also poses important questions, however, regarding the limits of the platform:

    Algorithmic Bias: While TikTok enables viral advocacy, its Western-centric algorithms often suppress Indigenous content. How can Māori creators and allies subvert these biases without compromising cultural authenticity?

    Commodification Risks: Trends like the #KapaHakaChallenge celebrate Māori culture globally, but could they dilute its sacredness? Where should the line between cultural sharing and appropriation be drawn?

    Sustaining Momentum: The Treaty of Waitangi hashtag has 96.5M engagements, but how can this digital activism translate into tangible policy changes in Aotearoa?

    I argue that TikTok’s potential hinges on Indigenous-led platform governance (e.g., co-designing algorithms with Māori experts) and offline coalition-building. What strategies would you propose to ensure these digital movements endure beyond viral trends?

    1. Rylee Sharrock Avatar

      Thank you for your thought-provoking and concise feedback. I appreciate pointing out some key issues and hence allowing me to further expand on some of the themes I touched on throughout my paper. In response to your key concerns:

      1. Algorithmic Bias: I agree that TikTok’s algorithmic design privileges dominant cultural content and often sidelines Indigenous narratives. To counteract this without compromising cultural authenticity, lobbying for platform accountability through Indigenous advisory boards that can inform algorithmic design, ensuring Māori creators are not just visible but equitably represented.

      2. Commodification Risks: As an Indigenous Māori myself, your point on the fine line between celebration and appropriation is well-received but I can’t offer a clear cut solution. I think Kaupapa Māori content developed by iwi, artists, and digital advocates should typically be the frame of reference as to what constitutes respectful engagement. Relying on indigenous-led content curation, rather than user-driven trends, is vital here but I don’t want to ignore the reality of todays social climate. This comment immediately reminded me of the viral moment where a presumably white woman was imitating a Pukana incorrectly and though it was problematic, she quickly followed with an apology for her ignorance and lack of cultural awareness. I think this is the crux of the issue, whereby Te Ao Māori is only recently bleeding into global social discourses, thus is inevitably going to forge lapses in understanding. All we can do as a community is educate and inform!

      1. Sustaining Momentum: For digital activism to translate into structural change, online efforts must be interwoven with offline organising. Collaborations between rangatahi content creators and legal, educational and political institutions could foster this bridge. Embedding hashtags like #ToitūTeTiriti into civic campaigns and school curriculums is one strategy to maintain visibility and political pressure. Based on the overwhelming rejection of the Treaty of Principles Bill (112 votes to 11), I’d say this is going well thus far and we can only wait for the upcoming results in the 2025 election to confirm the truth of that statement! 🙂

  2. Maxim Lullfitz Avatar

    Hi Rylee,

    This was an interesting read, thank you for your insights into this topic.

    While I am not a big user of TikTok, I have seen pages on Instagram dedicated to tattoo culture or ‘Moko’ of Māori and Polynesians, specifically a user named tu_edmonds on TikTok or alienweaponry_turanga on Instagram. His page is also used to debunk many narratives about native peoples of Aotearoa and is interesting to listen to.

    What do you think that non-Indigenous people from older generations can do to educate themselves about Indigenous cultures, and some of the challenges faced by their people, without access to social media?

    I enjoyed this paper greatly and am looking forward to your response,
    Max

    1. Rylee Sharrock Avatar

      Even though TikTok and Instagram aren’t everyone’s cup of tea, it’s powerful to see how these tools are being used to revitalise cultural knowledge and create dialogue beyond traditional media. In terms of your question, it’s such an important one but also challenging. Here are some ideas:

      Reading books, essays, or listening to interviews by Māori authors and scholars

      Attending local cultural events or public talks: I.e., kapa haka festivals, language revitalisation huis, and Waitangi Day events are often open to the public and provide a space to listen and learn.

      Watching films and documentaries: there’s a lot of great visual content produced by Māori filmmakers like Taika Waititi. My personal favourites are Boy, Hunt for the Wilderpeople and Once Were Warriors (its a tough watch but awesome socio-cultural commentary on the experience of some Maori)

      At the heart of it, I think it’s about approaching with humility, curiosity, and a willingness to listen. Social media is just one avenue, but there are many meaningful offline ways to build that awareness, too. Not to mention, the digital landscape beyond social media is so expansive, and there is more than enough information for independent research 🙂

  3. Justin Avatar

    Hi Rylee,
    Your analysis of TikTok’s role in Māori cultural revival was quite compelling. It was interesting how Māori creators are using TikTok’s participatory features,(such as Duet I guess, are there others?) to challenge ‘colonial narratives’ and create space for celebrating their culture and expressing their political views.
    The concept of “diasporic solidarity” which you discuss connects with Jessica’s work on immigrant communities and how SM enables dispersed cultural groups to maintain connections despite their location across the globe. This digital solidarity seems to be emerging as a powerful force for dispersed communities globally.
    So Rylee, what are your thoughts on where these digital movements are headed. I looked up the Toitū Te Tiriti’ movement and it seems that SM is very powerful in promoting and organising the movement? There seems to be a huge opportunity for the Māori people to leverage the benefits of global visibility, what do you think?

    1. Rylee Sharrock Avatar

      Thank you so much Justin for your kind words and generous feedback. I really appreciate it and I’m so glad to hear the analysis resonated with you. In regards to sustaining the momentum of this movement and seeing tangible changes for Rangatahi Maori, there are a few thoughts that come to mind.

      In terms of where it’s heading, I do think there’s massive potential. Movements like Toitū Te Tiriti show that social media can do more than just raise awareness, but can drive real-world conversations, shift public sentiment, and even apply pressure on institutions. This is something that has been a long time coming for my community, given the erosion of our culture post-colonisation. I don’t know if you saw, but there was a recent “Hikoi” or civil march last year. Though I couldn’t be there, my sister participated and she commented on how electric the atmosphere was and how the community (figuratively and literally) were mobilised in unison in pursuit of justice for our ancestors. So I think on the home front, there is certainly momentum and intention from the Maori community. But for that to have long-term impact, we’ll need to see more structural investment in Indigenous media literacy, digital sovereignty, and platform accountability.

      1. Justin Avatar

        That was a huge march 35K people! https://thespinoff.co.nz/atea/20-11-2024/was-the-hikoi-new-zealands-largest-ever-protest

        I think concerning digital indigenous empowerment and in the words of famous New Zealander Rachael Hunter “it wont happen over night but it will happen!” The concept of “digital sovereignty” is also interesting – do you see any initiatives where Māori communities are already working on this?

        Rachael Hunter: https://youtu.be/7EweM_ILVt4

  4. stellapearse Avatar

    Wow Rylee, super powerful essay you have written here! Very interesting learning about how social media, Tik Tok specifically has created a resurgence of Māori culture and the Toitū Te Tiriti movement. Personally I have little knowledge prior to reading your paper, however since reading I feel a lot more aware of the current movement within both historical and contemporary frameworks.

    Through connecting past events (Bastion Point occupation and the Māori Land March) to present activism, you successfully showed how todays digital resurgence its impactful, and a part of a long history of resistance and reclamation.

    I agree that Tik Tok and social media is a useful tool in spreading important information which leads to visibility of Māori culture. Its empowering to learn how protest videos and the spread of educational content on Tik Tok is helping build community and solidarity among Māori people and other indigenous groups.

    Its refreshing to see Tik Tok be used for good purposes such as building community, shaping identity, and amplifying indigenous voices in a way that influences both public discourse and political action. Though I have seen instances where Tik Tok and other social media platforms can also expose these communities to harassment, misrepresentation and tokenism. Unfortunately exposure of culture can lead to communities being exposed to harm.

    I am curious to hear what you think about the downside potential of using algorithm driven platforms such as Tik Tok as a primary tool for activism and preserving culture? Do you think that the algorithm could suppress or deprioritise indigenous content in favor of mainstream or viral posts? And do you Know of any was in which Māori creators can Protect cultural content from being misused?

  5. Savannah-Leigh Avatar

    Hi Rylee!

    This is such a powerful and well-articulated reflection. I really appreciate how you highlighted TikTok not just as a tool for expression, but as a platform for cultural resurgence and political resistance. The way Māori creators are using digital spaces to reclaim identity, challenge colonial narratives, and promote Tino Rangatiratanga is incredibly inspiring! And speaks to the broader potential of social media for indigenous empowerment globally.

    I’m curious to know your thoughts on how we might protect the integrity of these cultural narratives as they reach wider (and often global) audiences. Do you think there’s a risk of appropriation or dilution when indigenous content gains mainstream visibility, and if so, how can platforms or creators safeguard against that?

    A very interesting and eye-opening read!
    Thankyou, Sav x

  6. Jessica Avatar

    Hey Rylee,

    Loved your paper! I have had a read and as you mentioned on my paper, the similarities between the conclusions we have drawn from both diasporic communities and the Māori ‘Toitū Te Tiriti’ movement are undeniable. Particularly the juxtaposition of cultural revival and political advocacy through TikTok. TikTok is an insanely popular app that is the hub of youth culture with such a wide reach globally. Political advocacy can be presented in a fun and engaging manner, due to the participatory nature of the app as you mention which makes it a perfect gateway to allow for cultural resurgence and express political advocacy in an accessible and straightforward manner to bring in maximum awareness. You mentioned that the dance trend to “35” by Rob Ruha & Ka Hao which has over 32.9m posts that has gone viral. The trend as you said celebrates Māori culture and kapa haka which has been exposed to people globally, not only people from New Zealand. The trend allows for cultural traditions and customs to be given a spotlight and for Māori creators to shine and actually share firsthand Māori culture.

    Social media and digital sites can be such a wonderful tool to educate and push for justice that I believe without, Māori and by extension Indigenous communities and Diasporic communities would not have the means to meaningfully mobilise and gain traction to issues their respective communities are facing. Do you think that without Tiktok the Māori community would be able to meaningfully mobilise masses for support and advocacy of the Toitū Te Tiriti movement and achieve the same impact without the social media site?

    Eager to see what you think 😊

    Thanks!!
    Jess

  7. Corbin Norton-Smith Avatar

    Fascinating article, and extremely well-written. It’s incredible that a platform that is quite often accused of displacing culture, is also used as a platform to enforce it, at times delimitating it from the encroach of colonialism and discriminatory oppression entirely. Kudos to the Māori people for leveraging the spread of information and attention-grabbing nature that is synonymous with the platform, for good.