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Social Media’s Advocacy in Preserving Indigenous Australians Cultural Heritage 


Abstract:

This paper explores the role social media plays with preserving and advocating Indigenous Australians cultural heritage. Since the expansion of social media, we can identify how social media platforms such as Instagram and TikTok, have given Indigenous Australians a platform and opportunity to showcase their cultures, storytelling, artwork, beliefs and values, languages and traditions in many different creative ways. It is so important to celebrate this culture and respect these online communities as this was once something Indigenous Australians didn’t have the opportunity to do. Setting in fears about the disintegration of their longstanding cultures becoming extinct. Through these online communities, we’ve also been exposed to these minority groups using their social platforms to advocate for political understanding and recognition such as during ‘The Voice to Parliament’ campaign. However, in saying this, it is important to understand and raise awareness about the online harassment, bullying, racism and cyberbullying these minority groups are still experiencing in modern day society on these online platforms. Throughout this online negativity, these communities experience, it is incredible to note the resilience and pride they all share in relation to their historic cultures and it is something that should be celebrated by Australians collectively each day.

Introduction:

Indigenous Australians are recognised as the first peoples of Australia, holding a rich history and deep connections to the land in which predates colonisation by thousands of years, making them a solid foundation of Australia’s identity and heritage. ‘Social Media’ platforms are websites and applications allowing users to exchange information, communicate and more commonly create online communities. Social media has played a significant role in promoting and preserving Indigenous Australians Cultural Heritage by allowing users to express their cultures across various platforms to their online communities and assert cultural identity in ways that was previously unavailable prior to the expansion and accessibility of social media platforms. Social media has helped empower and preserve Indigenous Australian identities, cultures, languages and their connection with the land, with these platforms fostering a sense of belonging to these indigenous communities both locally and globally. In saying this, Indigenous Australians using these platforms has also attracted online negativity and harm to these communities experiencing online hate speech, racism, and cyber bullying. This paper explores how Indigenous Australians have used their platforms to create online communities to express their heritage and cultures. As well as how Indigenous Australians have used their online communities and platforms to advocate for change in the Australian populations general perception of their identity, cultural practices, and promoting political policies. And finally, looking at the challenges and online harassment these Indigenous Australian online communities experience whilst advocating their cultures.

Body Paragraph 1 – How Indigenous Australians have used their online platforms to create online communities to express their heritage and cultures

Social media platforms have fostered an online community for Indigenous Australians to express and advocate longstanding cultural traditions and heritage of their peoples through many different creative avenues. In a study, themes that young Indigenous Australians commonly expressed through the use of social media were “Identity, power and control, cultural compatibility and community and family connections” (Rice et al., 2016). In relation to the Stolen Generation, from the late nineteenth century, “Australian governments, as a practice and as a policy, removed part-Aboriginal children from their mothers, parents, families and communities, often by force.” (Manne, 1998) Due to the implications of this trauma and injustice in Australian history, Indigenous Australians are still confronted with the repercussions of this trauma on a day-to-day basis. Indigenous Australians being “deeply concerned about the future of their community and dozens of others across the state”. (Carlson et al., 2021). As a result of these events, many Indigenous cultural practices, stories and languages were at jeopardy of being completely abolished, due to the assimilation of the Indigenous Australian population. However, through the rise of social platforms, Indigenous Australians are not only reaching a global scaled audience but have accessibility to freely discuss their culture and raise awareness about the trauma they endured and continue storytelling of their cultures.

Platforms such as TikTok and Instagram have been popular social media applications used by Indigenous Australians to visually share photos, blogs, vlogs, artwork and videos of culturally significant content to their audience expressing themselves all in unique and creative ways. Aboriginal Dot Painting is culturally significant artwork, Indigenous Australians have been crafting for thousands of years. “Dots can be seen in symbolic patterns carved on artefacts and ancient rock galleries. They were used in sand paintings and in body painting for ceremonies.” (Gallery, 2019). Presten Warren who I follow on TikTok, is a creator who uses his platform to continue the traditions of dot painting and other culturally significant Aboriginal artwork, “Storytelling Through Connection, Culture & Colour”, (Warren, 2025).  Warren engages with his community promoting and advocating cultural awareness around Indigenous Australians expressing the stories behind these pieces he creates. Warren also has a website allowing people to support and embrace his culture by purchasing pieces of his artwork. (Warren, 2025).

Sianna Catullo is a Narungga woman and is the Head of Marketing at ‘Clothing The Gaps’. Catullo is passionate about amplifying Aboriginal voices and promotes this through “community led storytelling through video & photography”. (Clothing the Gaps, 2024). Catullo also co-founded ‘Blakground Productions’, “to put storytelling back in the hands of Mob, ensuring First Nations creatives lead the way in the industry”. (Blakground Prod., 2024). Achievements of this company include filming ‘VIC NAIDOC’, collaborated with the Eddie Betts foundation and worked with Champion on a NAIDOC campaign. Catullo has used her social media platform and companies she is apart of, to advocate cultural significance to both a global and international audience, incorporating her heritage into clothing wear and into NAIDOC which “celebrate and recognise the history, culture and achievements of Aboriginal and Torres Strait Islander peoples.” (NAIDOC, 2025).

Body Paragraph 2 – How Indigenous Australians have used their online communities and platforms to advocate for change in the Australian populations general perception of their identity, cultural practices, and promoting political policies

Indigenous Australians are continuously using their online platforms to advocate for change within the Australian nation, in relation to their perceived identity, cultural practices being overlooked and most importantly feeling heard and seen in respect with government recognition and policymaking. Indigenous Australians often misrepresented by mainstream media, expressing “Daily newspapers, radio, television, and social media usually portray Indigenous peoples in the deficit mode of humanity. We are overrepresented as always lacking, dysfunctional, alcoholic, violent, needy, and lazy.” (Moreton-Robinson, 2015).

Social media has become a pivotal space for Indigenous Australian communities to discuss their ideas and viewpoints on certain topics and generally raise awareness to other Australians about the impacts such decisions might have on the First Nations peoples cultures and heritage.

‘Uluru Statement from the Heart’ was a powerful declaration, with Aboriginal Australians demanding ‘constitutional reform’, calling “for the establishment of a First Nations Voice enshrined in the Constitution”. (Uluru Statement from the Heart, 2025). “This sovereignty is a spiritual notion: the ancestral tie between the land, or ‘mother nature’, and the Aboriginal and Torres Strait Islander peoples who were born therefrom, remain attached thereto, and must one day return thither to be united with our ancestors.” (Uluru Statement from the Heart, 2025). Teela Reid is a Wiradjuri & Wailwan woman, who is an activist, lawyer and the inaugural Indigenous Practitioner-in-Residence at Sydney Law School. Using social media platform TikTok to educate and advocate for the ‘Uluru Statement From the Heart’ campaign. By doing so, the audience reach Reid is making using this type of platform, is broader and reaching a typically younger demographic of people that may not be exposed to main stream media such as the news.

The ’Voice to Parliament’ campaign is another great example of how Indigenous Australians used their social media platforms as an opportunity to advocate for government recognition and inclusive policymaking to their peoples. The ‘Voice to Parliament’ campaign which stemmed from the Uluru Statement from the Heart, aimed at calling for an advisory body of Indigenous Australians a formal voice in political decision making. This was a national referendum in 2023, however the final outcome resulting in a ‘No’ vote. “Alongside the official campaigns, ordinary Australians are using platforms such as TikTok to reach hundreds of thousands of voters with their arguments for and against the Voice to Parliament.” (Rangiah, 2023). Conor Bowden and Jaiden McGregor two Indigenous Australian friends took to TikTok videos explaining “why they were voting yes”, reaching 800,000 thousand views on one video. (Rangiah, 2023).

Body Paragraph 3 – The challenges and online harassment these Indigenous Australian online communities experience whilst advocating their cultures

Whilst advocacy on social media has provided so many benefits including, changes in general perceptions, educating people surrounding awareness of the First Nations peoples cultures and heritage, it has most importantly has fostered a sense of belonging for so many of the Indigenous Australian communities. However, in saying this, unfortunately, with positives, comes negatives, with impacts of this social media advocacy “In Australian social media platforms, non-Indigenous social media users commonly utilize digital spaces to communicate anti-Aboriginal racism.” (Al-Natour, 2020). With negative impacts including: “cyber bullying, cyber racism and the exchange of sexually explicit content between minors are common with limited approaches to dealing with this at the community level.” (Rice et al., 2016).

As discussed previously, during the ‘Voice to Parliament’ referendum, this sparked outcry, and racism was at an all-time high, leading up to the vote. Conor Bowden and Jaiden McGregor, reporting to the media that during the process of advocating for the ‘Voice to Parliament’ campaign, “since the referendum was announced, Jaiden and Conor said they’ve noticed more hateful remarks about First Nations people spreading on social media.”, (Rangiah, 2023).  And as a result of this spike, it began “affecting their mental health”, (Rangiah, 2023). Dameyon Bonson, who founded First Nations LGBTQI+SB wellbeing service ‘Black Rainbow’ (WellMob, 2020), also added that “other platforms such as X (Twitter) had also become forums for racism against First Nations people.” (Rangiah, 2023).  Whilst on the flip side of the referendum, ‘No’ voter, former NSW state Liberal candidate Freya Leach, used TikTok to promote her opinion on the referendum, and since was targeted by “personal attacks” and considered “racist”. (Rangiah, 2023). 

We can begin to understand, based on this continued racism against Aboriginal Australians, there is still a massive misrepresentation of First Nation peoples cultural practices on digital media. Seeing mimics made online of their dot painting and traditional ceremonial events, not understanding the disrespect Aboriginal Australians are faced with, and the potential disintegration of their culture they have promoted for thousands of years. In which creates a divisive country and as a result, Indigenous Australians not feeling valued or a part of their country.

Sadly enough, this cyberbullying and racism online has contributed to the “alarming rise in suicide rates among Aboriginal and Torres Strait Islander peoples, at a 30 per cent increase over the past five years” (Gartner, 2024).

Despite this negativity on these digital platforms, Indigenous Australians remain standing strong together against these challenges and have continued promoting their cultures and heritage to the world. They have continued traditions of their aboriginal dot paintings and artwork and continue hosting ceremonies with their peoples.

Conclusion:

Since the emergence of technology and the rise in accessibility of social media platforms. It can be recognised how Indigenous Australians have used their platforms to advocate their cultures across various platforms to empower and unite other Indigenous Australians to be proud of their culture and traditions that have been taught and celebrated for thousands of years. Their advocation derives from the idea of being ‘One’ with other fellow non-aboriginal Australians. I think it is clear to conclude that Australia, is growing and learning from previous mistakes, and has become a multicultural home to many Indigenous Australians, Non-Indigenous Australians and other cultures and races from abroad. These platforms being used such as TikTok and Instagram have been used as a voice, gaining massive traction for our younger generations, specifically having the opportunity to be exposed to significant culture and history of Australia, whilst also being further educated in a creative and compelling way. I think its important to recognise how far Indigenous Australians have come in their political voice and unitedness, with the ‘Uluru Statement from the Heart’ and ‘Voice to Parliament’ referendum, by utilising social media to share their opinions and educate all Australians. However, it is also crucial to recognise the devastation online communities can create offering negativity, cyberbullying and racism online. It’s important to note that this is never acceptable, and that Indigenous Australians will keep showcasing their cultures online and stand strong together.

References:

Alarming rise in Aboriginal and Torres Strait Islander suicide rates. (2024). Uwa.edu.au. https://www.uwa.edu.au/news/article/2024/october/alarming-rise-in-aboriginal-and-torres-strait-islander-suicide-rates

All resources – WellMob. (2020, May 27). WellMob. https://wellmob.org.au/key-resources/resources/37704/?title=Black+Rainbow+Australia&contenttypeid=1&contentid=37704_1

Al-Natour, R. (2020). The digital racist fellowship behind the anti-Aboriginal internet memes. Journal of Sociology57(4), 780–805. https://doi.org/10.1177/1440783320964536

Blakground Prod. (2024). Blakground Prod. https://www.blakgroundproductions.com.au/

Fredericks, Bronwyn and Bradfield, Abraham (2021). ‘Seeking to be heard’: the role of social and online media in advocating the Uluru Statement from the Heart and constitutional reform in Australia. Journal of Alternative and Community Media 6 (1) 29-54. https://doi.org/10.1386/joacm_00092_1

Gallery, A. (2019, July 20). Australian Aboriginal Dot Painting – Japingka Gallery. Japingka Aboriginal Art Gallery. https://japingkaaboriginalart.com/articles/aboriginal-dot-painting/

Manne, R. (1998). The stolen generations. Quadrant, 42(1–2), 53–63.
https://search.informit.org/doi/10.3316/informit.014187933332500

National NAIDOC Week | NAIDOC. (2025). Naidoc.org.au. https://www.naidoc.org.au/about/naidoc-week

Presten Warren. [@prestenwarrenart]. (n.d). [Storytelling Though Connection, Culture & Colour]. TikTok. (2025) https://www.tiktok.com/@prestenwarrenart

Rangiah, L. (2023, October 4). TikTokers share impact of social media debate over Indigenous Voice to Parliament referendum. Abc.net.au; ABC News. https://www.abc.net.au/news/2023-10-05/social-media-tiktok-influencing-voice-to-parliament-debate/102927834

Rice, E. S., Haynes, E., Royce, P., & Thompson, S. C. (2016). Social media and digital technology use among Indigenous young people in Australia: a literature review. International Journal for Equity in Health15(1). https://doi.org/10.1186/s12939-016-0366-0

Uluru Statement from the Heart. (2025, January 17). Uluru Statement from the Heart. https://ulurustatement.org/the-statement/view-the-statement/

Walker, T., Molenaar, A., & Palermo, C. (2021). A qualitative study exploring what it means to be healthy for young Indigenous Australians and the role of social media in influencing health behaviour. Health Promotion Journal of Australia32(3), 532-540.

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23 responses to “Social Media’s Advocacy in Preserving Indigenous Australians Cultural Heritage ”

  1. Hayley Avatar

    Very thought provoking, Hannah! While I knew about the political advocacy side of social media I was not aware of the empowerment of Indigenous communities through promoting Aboriginal artwork and Dream Time stories. You have obviously done your research, including thorough explanations of your selected case studies and some original ideas to compliment.

    1. Hannah Mannion Avatar

      Thanks so much Hayley for your thoughtful feedback! I’m really glad you found the section on Aboriginal artwork and Storytelling insightful — I felt it was important and also very interesting, to highlight how cultural storytelling is being adapted and preserved through modern platforms. It’s great to hear that the case studies came through clearly, and I appreciate you acknowledging the research and ideas I put into this conference paper. Thanks again for your feedback! Hannah

  2. Isabelle Pearce Avatar

    Hannah, this paper offers an insightful and interesting perspective on Social Media’s advocacy in preserving Indigenous Australians Cultural Heritage that I was yet to explore or look into. It is interesting how you note that through art and storytelling, social media has grown into this opportunity one could say, to educate the youth of today on the cultural history of Australia and has become an effective and engaging way of communicating to young people about important topics. The paper demonstrates a strong understanding of the concepts discussed and prompts readers to feel reflective on recent events that have taken place including the ‘Voice to Parliament’ and passionate about change for the future of Australia in preserving the longstanding history and culture of our First Nations Peoples. Well done on crafting this paper Hannah.

    1. hannah.mannion Avatar

      Thank you so much for your generous and thoughtful feedback, Isabelle! You’re absolutely right, it definitely is interesting when taking a step back and recognising how social media has become a powerful tool for education and cultural preservation, especially in reaching younger generations in ways that feel relevant and accessible.

      To your question, I believe that while promoting Indigenous voices and stories on social media is a meaningful step, it can’t be the only one. It needs to be part of a broader, more systemic effort. This could include embedding Indigenous history and perspectives into school curriculums, supporting Indigenous-led media initiatives, funding community-run cultural programs, and ensuring First Nations people have a seat at the table in all areas of policy-making and national storytelling. Social media can amplify, but real change comes when it’s backed by structural support and long-term investment in community empowerment. Thanks again for your engagement — it’s conversations like this that help create the positive change our nation seeks.

  3. Isabelle Pearce Avatar

    Hannah, I am interested to hear your thoughts on how we as a country could collectively work together to preserve the longstanding cultures of our First Nations Peoples. Do you think continuing to promote these minority groups on social media is enough or is there more we can do?

  4. Kaiya Ryujin Avatar

    Hello Hannah,

    I learned so much from this paper. As someone who is not from this country, I did not know much about how Indigenous communities in Australia use social media to share culture and challenge stereotypes. I found your points about TikTok and Instagram, where Indigenous Australians use platforms to share culturally significant content especially eye-opening. By highlighting both the opportunities and the risks, such as racism, it made me wonder — do you think these platforms are doing enough to support Indigenous creators or is it still mostly up the communities themselves to navigate that space?

    1. hannah.mannion Avatar

      Hi Kaiya!

      Thank you so much for your thoughtful comment! I really appreciate your engagement with my conference paper, especially as someone who’s not from Australia — it’s encouraging to hear that the paper was informative and showcased a rich history of Indigenous Australians cultures and how Indigenous Australians are using social media in such meaningful ways.

      In response to your question, I definitely don’t think platforms like TikTok or Instagram are doing anywhere near enough to support Indigenous creators and users on these platforms. While they’ve provided a space for cultural expression, these platforms still lack strong, effective strategies to filter out racism, misinformation, and targeted harassment. It’s one thing to allow users to report content, but it’s another to actively implement culturally aware moderation policies and algorithms that truly protect minority communities. With this being said, unfortunately, the burden often falls on Indigenous users themselves to call out hate, correct false narratives, and hold space for their culture — which can be incredibly exhausting and emotionally taxing. More needs to be done from the platforms themselves to offer real support, including proactive content moderation and culturally sensitive community guidelines being successfully implemented. Thanks again Kaiya for your engagement with my paper. Han

  5. Matthew Macri Avatar

    Hi Hannah,

    Thank you for a thoughtful and powerful paper. I really appreciated how you highlighted the role of social media in preserving Indigenous Australian culture while also addressing the political and emotional strength behind movements like the Uluru Statement and the Voice to Parliament campaign. Your examples, such as Presten Warren and Sianna Catullo, showed how cultural storytelling and advocacy can thrive online.

    You also did a great job acknowledging the challenges particularly the racism and cyberbullying these communities face and the resilience shown in response.

    Overall, this was a compelling and important read.

    1. hannah.mannion Avatar

      Hi Matthew,

      Thank you for your positive feedback, I’m so glad you view such an important topic as powerful and significant as I do. Cheers, Han

  6. Justin Avatar

    Hi Han, thanks for writing your paper. It’s given me an insight into how SM platforms empower Indigenous Australians, one I didnt have! -you’ve encouraged me to learn more. I checked out Presten Warren’s art on Insta, which I really like, I have a piece we bought in Alice Springs, which is a dot painting, but its very different, by Aunty Lillian Bourke. It’s interesting because Presten is able to share his ‘new’ style with a broad audience while retaining the deep cultural significance of the work.

    Your presentation of social media having a dual nature, one for cultural celebration and also a space where Indigenous Australians face racism, connects strongly with Rylee’s paper on Māori cultural revival through TikTok. Yours and Rylee’s paper both demonstrate how indigenous communities use SM not just for cultural expression but also for political advocacy. Rylee similarly discusses how Māori creators manage the challenge of sharing their culture while also confronting colonial narratives and exploitation of their cultural knowledge online.

    I wonder what your thoughts are on how platforms might change to better protect Indigenous creators – I think Matthew also alluded to this. Do you think SM companies have a responsibility have better moderation policies, or should the focus be on education of non-Indigenous users?

    Thanks Han
    Justin

    1. hannah.mannion Avatar

      Hi Justin, thanks so much for your feedback! I really appreciated your reflections, especially the connection you made to Presten Warren and aboriginal artwork you’ve bought in Alice Springs from artist Aunty Lillian Bourke and the ideas of how these users blend traditional and contemporary styles online. I also loved your point about how both my paper and Rylee’s highlight social media as a space for cultural and political voice. I am keen to read their paper now!

      In terms of how platforms can better support Indigenous creators — as I mentioned to Kaiya, I don’t think they’re doing enough. While visibility is growing, there’s still a lack of culturally informed moderation. Reporting tools aren’t effective alone; platforms need proactive, Indigenous-led policies that protect users from racism and harassment. The burden shouldn’t fall on Indigenous users to educate others or defend their presence online.

      Thanks again for your insights — they really helped me reflect more deeply on the structural responsibilities these platforms have.

      Hannah 🙂

      1. Justin Avatar

        It’s a tough one Hannah, if the indigenous don’t educate the non-indigenous, then who will? But where do you start, how do educate someone on 60k years of culture and heritage in a Insta post? I was lucky enough to facilitate a program on education of indigenous children for Melb Uni on STEM in schools, which was really interesting and recently read Dark Emu by Bruce Pascoe a great read. I don’t know the answer to education of the non-indigenous, but I keep reading and learning.

  7. Shannon Kate Avatar

    Super important topic.

    I think that social media needs to do much more to combat racist attitudes and cyberbullying based on race – it shouldn’t fall to indigenous creators to deal with that on their own. Australia in particular has a long way to go in combatting racism (look at the Voice referendum result that proved how ugly this country can be).
    I think it’s great that Indigeous creators are using these platforms, but it’s so risky – the 30% increase is suicide statistic makes me heartbroken.

    1. hannah.mannion Avatar

      Thanks for your comment Shannon, I completely agree. It’s heartbreaking that Indigenous creators face so much risk just for sharing their culture. And yes, when writing about the 30% suicide stat, it really took a toll on me and made me think how I as an individual can help make a difference in Australia. I think its obvious to conclude that platforms need to step up with stronger, culturally aware content control. Appreciate you engaging with my paper! Han 🙂

      1. Shannon Kate Avatar

        I wonder if other marginalised creators face such issues. In my own feeds, I regularly see identity markers such as disability and queerness celebrated rather than attacked (this may just be the side of the internet that I am on). Do you think Indigenous creators get worse clap back than other groups?

  8. andrew Avatar

    Hi Hannah, thank you for a great read.

    I thoroughly enjoyed you drawing on the ‘Voice to Parliament’ campaign as an example of Indigenous Australians are using social media to advocate. While the result might have been a no vote, the powerful messages shared across social media leading up to the vote and event post vote were undeniable. Hopefully advocacy can continue and positive change be created!

    1. hannah.mannion Avatar

      Thanks so much for your feedback, Andrew!

      I’m glad you connected with the Voice to Parliament example—it felt like such an important moment to highlight, especially given how vocal and creative Indigenous communities were online in the lead-up and aftermath. Despite the overall result, I agree that the strength of advocacy across platforms was powerful and shouldn’t be ignored, instead celebrated. Hopefully, this momentum keeps building and continues to spark meaningful conversations and change. Han 🙂

  9. Rylee Sharrock Avatar

    Hannah, this was such a powerful read! You captured both the strength and vulnerability of Indigenous Australians using social media as a tool for cultural survival and political advocacy. I really appreciated your focus on the emotional toll of online racism and how, despite that, platforms like TikTok have become spaces for pride, visibility, and resilience. I touched on similar themes in my paper and actually referenced Indigenous Australians as points of reference to communicate a similar experience for the Indigenous Maori communities.

    It’s apparent that you leveraged some of the unit readings to support your prompt, which elevated your discussion tenfold! In saying that, I’m interested in hearing what you think about these comparisons. Do you see any parallels between how Indigenous Australians used platforms during the Voice to Parliament campaign and how Māori creators use TikTok to mobilise around Toitū Te Tiriti? In both cases, do you think social media has become a modern tool for reclaiming sovereignty and collective identity?

    I’m looking forward to hearing back from you! P.S I also have a paper uploaded in this stream, so I would love to hear some feedback on what you think 🙂

    Rylee x

    1. hannah.mannion Avatar

      Thanks so much, Rylee! I really appreciate your kind words and thoughtful engagement with my paper.

      I definitely see parallels between Indigenous Australian and Māori creators in how they use TikTok to reclaim identity and push for political recognition. Both groups have used social media platforms as a successful way to, challenge political systems, and speak directly to their communities, offering a differing perspective than whats broadcasted on mainstream media. During the Voice campaign, TikTok became a key space for Indigenous Australians to express support, culture, and educating. Similarly, Māori creators mobilising around Toitū Te Tiriti explored how these platforms can be tools for sovereignty and self-determination.

      Despite the emotional toll of online racism, both communities show incredible strength and resilience. Social media may be flawed, but it’s become a powerful space for visibility, connection, and cultural pride—especially among younger generations. And it must be noted, that due to this growing community and following, how much support and strength they’ve received from fellow Australians and New Zealanders defending and calling out antisocial behaviour occuring on these platforms, encouraging people to speak up when things are not right.

      Thanks again Rylee, I’ll definitely check out your paper and leave some feedback soon! Han

  10. Christina Roneikim Avatar

    Hi Hannah,

    Thank you for this intuitive essay about the Indigenous Australians. I also recently did a media analysis on The Koori Mail and NITV and learnt a lot about the Aboriginal Australians and Torres Strait Islanders of Australia. From the outlook of someone from outside Australia, it was very much an eye-opener as the information was new to me, quite different from the “Australia” I knew. I truly feel their sentiments as someone who belongs to a marginalised group.
    I’ve read about “The Voice” and how more than 50% voted No in historic referendum. In this day and age, how do you think social media can be better regulated or redesigned to protect Indigenous Australians from online racism while still allowing them to freely share and celebrate their culture? Or do you think the public will co-operate with this idea and bring about social change?

    Overall, your essay is a well-researched piece that captures both the promise and the changeability of digital spaces for Indigenous expression and advocacy. It offers important insights into the transformative possibilities of social media while never losing sight of the real-world harm that still needs to be addressed.

    My essay is regarding the role of social media – How the Kuki tribes of Northeast India utilise Facebook to amplify their voices to fight against social injustice. Here’s a link to it if you’re interested 🙂

    https://networkconference.netstudies.org/2025/csm/5758/the-role-of-social-media-how-the-kuki-tribes-of-northeast-india-utilize-facebook-to-amplify-their-voices-and-counter-social-injustice/

  11. Noah Etherington (21681295) Avatar

    Hi Hannah,

    I covered in my paper how social media is affecting adolescents, in-part it covers how amplifying their voices was a positive, but the paper covers the negatives. There is no doubt that this paper touches on the positives, but also acknowledges the latter.

    In saying that you end on “However, it is also crucial to recognise the devastation online communities can create offering negativity, cyberbullying and racism online.” How do you think social media platforms can better support Indigenous Australian communities in combating online harassment and racism while continuing to amplify their cultural advocacy efforts?

    Here is my paper if you are interested!
    https://networkconference.netstudies.org/2025/csm/5902/from-tool-to-plague-how-shifts-in-social-media-have-directly-affected-adolescent-well-being/

  12. reganspear Avatar

    Hi Hannah,

    Your paper offers a powerful and timely exploration of how Indigenous Australians are using social media to reclaim, preserve, and promote their cultural heritage in the digital age.

    Your paper effectively captures the dual nature of social media as both an empowering space and one still fraught with racism and harassment. By surfacing these tensions, your work invites discussion around digital inclusion, platform ethics, and the broader responsibilities of platform governance and public policy.

    Your paper intersects with my own research into digital consumerism and the emotional/public shifts observed during COVID-19. While I focused on how consumers used digital spaces to maintain identity and community under lockdown, your paper presents a deeper, more historical narrative where digital engagement becomes a form of resistance and cultural survival.

    If you’re interested, you can read my paper here: https://networkconference.netstudies.org/2025/onsc/6362/covid-19s-impact-on-consumer-behavior/.

  13. John Lim Avatar

    Hi Hannah,

    I found your paper to be really eye-opening to how the indigenous community utilizes social media to get their voices heard. Your paper is very well researched as it provided a plethora of examples to how the community spreads their messages and provide awareness, although it is a bit disheartening that most of their plights are ignored and rejected. Why do you think this is? Does this say something more about social media’s effectiveness of influencing change proposed by certain groups of people or more of a commentary on society as a whole?

    Additionally, I think you would also find Rebecca’s article an interesting read is it further dives in to how people were framed to negatively react to the Uluru Statement by the Liberal party. I would love to hear what you think. Here is the link:
    https://networkconference.netstudies.org/2025/onsc/5836/if-you-dont-know-vote-no-how-disinformation-during-the-voice-to-parliament-referendum-created-a-refracted-public/#comment-6426