The Impact of the #OfCourse Trend on TikTok and Instagram in Embracing Ethnicity of Diasporic Community

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Abstract

Trends and challenges have become essential to social networking sites, especially TikTok and Instagram, visual content platforms. A particular topic could become the talk of all people worldwide through trends and challenges, even if the issue has been long overlooked. The latest trend that attracts most TikTok and Instagram users is the #ofcourse trend. Beginning in November 2023, at least 871,000 TikTok videos and 457.000 Instagram Reels were posted under the #ofcourse hashtag until early April 2024. These numbers include a number of celebrities and influencers, and the rest are mostly from the diaspora. 

The #ofcourse trend is a short video challenge that reveals one’s identity with the behaviours associated with their ethnic, cultural, or even racial background. The author sees the tendency for this trend to facilitate changes in stereotypes and judgements toward certain nations. People celebrate the unique habits that attach to their identity, turn tragedy into comedy, as well as address the misunderstanding toward their nation while still presenting a sense of humour. This trend has potentially developed a sense of belonging and pride within diasporic communities which usually hide their true identity due to the inferior feeling of their origin.

Upon analysing the impact of the #ofcourse trend on TikTok and Instagram in embracing the ethnicity of the diasporic community, the author elaborates on key factors that cause ethnic inferiority and explores how the #ofcourse challenge conquers them. This paper also analyses the threat that this trend might bring in terms of ethnicity revelation on social media.

Keywords: Ethnic Inferiority, Diaspora, Diasporic Community, Social Media Trends, #ofcourse trend, Online Representation, Cultural Identity

Introduction

Trends is not a new term in social media, it has been around for quite a long time and recently became the essential part of social media, especially in the era where algorithms decide the discoverability of the contents. Along with the growth of social media, trends also evolve and look different on each platform. Asur et al. (2011) explained that in Twitter, trends mean that in a pool of issues, a particular topic was able to catch the majority of people’s attention and become popular. Hashtag, the feature that is popularly used in Twitter and symbolised the effort to raise a particular issue to be the trending topic, adopted by many other social media platforms, including Instagram. As a platform of visual contents, the posts should be visually attractive to be able to become the trends in Instagram. Then the most recent social media platform came and changed the game: TikTok. The trends in TikTok are called FYP, the acronym of For You Page. Despite having many distinctive features, both TikTok and Instagram are visual Social Networking Sites, the posts in TikTok are short videos, which are later adopted by Instagram as a new feature named Reels. These two platforms also grow rapidly due to the convergence of audio and visual media which makes it easier for the users not only to understand information, but also to engage in content creation. Heinrichs et al. (2011) suggested that the features of social media which encourage people to be involved as creators, have allowed users to be networked and opened the opportunity to become influential. Due to the possibility to gain power in influencing users, the posts that make their way to be the trend in TikTok and Instagram could play an important role to promote a lifestyle, advertise products, shape perspectives, and even raise awareness in particular issues or one’s identity. One of the most recent trends that represents social media’s trend ability in acknowledging one’s identity is the #ofcourse trend on TikTok and Instagram which people use to introduce themselves and the things that they believe are associated with them. 

Due to the amusing and relatable concept, the #ofcourse trend has attracted people from various backgrounds, even celebrities like Mariah Carey and Kim Kardashian participated, making the #ofcourse trend a phenomenon of culture (Henneman, 2024). The #ofcourse trend is a concept of short video where the creator mentions the community they belong to, i.e. genders, beliefs, ethnicity, and many other forms of identity. Then, they will mention the list of behaviours that define their community. One of the most frequent forms of identity that is brought up in the #ofcourse video is ethnicity. Through the #ofcourse trend videos, people enjoy talking about their racial background and not being ashamed to talk about unusual aspects, such as trauma or even the stereotypes that are attached to their identity. Simply put, the trend has been helping to promote cultural diversity as well as overcoming ethnic inferiority, especially for people who live miles from their origin. This trend is very significant for the diasporic community as it manifests the finding of a study done by Diamandaki (2003) and Harrigan et al. (2012) that suggested that by sharing the relatable messages, a community can find their similarities and affect each other in a positive way. In this case, the #ofcourse trend allegedly enables migrants to build a network with people of the same cultural background and digitally find a sense of belonging or possibly pride of their ethnicity while living in a place that serves them as a minority. 

It is presumed that ethnic inferiority is allegedly linked to the existing socio-cultural issues such as colonialism, language barrier, and the absence of certain group’s representatives in mass media. This paper will discuss this issue and how the #ofcourse trend on social media helps the less portrayed communities embracing their ethnicity. 

Ethnic Inferiority 

Although the topic about cultural diversity and equality have created the buzz both in online and offline campaigns, the ethnic inferiority often still be experienced by diaspora who are usually the minority in the place they currently reside in. Due to the appearances and habitual differences, people who migrate as well as their descendants often face the complexity of defining themselves in the middle society. An article written by Georgiou (2013) indicated that immigrants are frequently being alienated and treated differently which makes them feel excluded and insecure.

One of the circumstances that preserves this situation is colonialism which even after it ended decades ago, the inequality that put the colonised race in a less favourable position still lingers up to these days (Engerman and Sokoloff, 2005). Colonised nations used to have no access to education, health, and many other basic human rights. In addition, post-colonial trauma to nations also plays a role in perpetuating the ethnic inferiority. Long history of injustice and humiliation had shaped the low self-image, leading to the insecurity and the feeling of embarrassment upon their nation (Robins and Jones, 2009). People from a colonised country often see themselves and their culture as less valuable compared to the nation that once oppressed them. This perspective could be the result of a massive doctrine about racial classification that was even transferred through kids’ literacy during the colonialism era (Bradford, 2012). The trauma and values then remain and pass down from one to the other generations. This explains the behaviour of feeling less than others due to one’s ethnicity that often lingers even after the occupation ends and they have access to higher education or migrate to the other part of the world.

The other reason that allegedly leads to the ethnic inferiority is linguistic identity which one of its aspects is accents. A study conducted by Dovcin (2020) revealed a terrifying fact of bullying that happened to international students in Australia due to their non-native accents in speaking English. Accents are often associated with stereotypes and social class, one could feel embarrassed or proud depending on which category their accent belongs to (Landivar Landa, 2022). The hierarchy of accent actually seems to have a connection to colonialism as often the less preferable accents are the ones from colonised nations, while on the other hand, the oppressor’s accent is preserved as a sophisticated one. A coloniser usually has power to shape the identity of the people they dominate (Grosfoguel, 2004). Orelus (2021) argued that favouritism toward particular accents are the heritage of imperialism while the people who speak with non favourable dialects are frequently treated with injustice and discrimination. Tankosic et al. (2021) also found a strong correlation between linguistic inferiority and accents in people who speak English as their second language. Even today, we can still easily find people praising particular accents while also making fun of the other ones. This linguistic inferiority actually does not only happen to the people who reside abroad, even within the same country, the dialects from non-capital cities often seen as less favourable ones and in the worst case, become the reason for bullying. Therefore, many people choose to imitate a certain dialect and hide their true identity in order to be accepted in one community. Moreover, Cheung (2022) found that compared to various kinds of cultural prejudice, the discrimination towards particular accents is a form of injustice that is somehow accepted by society and often seen as a normal thing.

Besides colonialism and linguistic inferiority, the groups that are considered minorities are usually less represented across multiple sectors. Moreover, most of the mainstream media does not give the voices or enough coverage for certain ethnicities and causes the lack of representation in public broadcast. In fact, the media has a role in bridging the communication as well as establishing society’s point of views regarding relevant issues (Bleich et al., 2018). Atuel et al. (2007) argued that representation in media is essential as it may impact the identity construction for a particular community. While not being represented, the chance of inferiority of one ethnic group increases, as they do not see that their existence matters and may lose the sense of belonging. Certain groups’ identity may be seen as quirky or even abnormal because people are not exposed enough to the portrayal of a diverse cultural and racial background. Furthermore, the lack of representation for migrants may cause tension and stigma towards the diaspora community as people of different backgrounds do not have enough knowledge to understand them. In the end, it is possible that in an attempt to be accepted in their residing place, a group of ethnic minorities will try to hide their identity instead of wearing it as a pride. However, the era of social media has shed a light for the group of people who were not being portrayed in mass media. Social networking sites provide equal space for everyone to express and tell the world about their identity.

The #ofcourse trend and Digitally Networked Diaspora

@ben.duong

we’re asian🇻🇳🇨🇳🇯🇵🇰🇷🇵🇭🇰🇭

♬ original sound – Ben Duong

One of the #ofcourse videos on TikTok, talking about the comments encountered by Asian diaspora.

There are at least 871,000 of TikTok videos and 457.000 of Instagram Reels posted under the #ofcourse hashtag until the beginning of April 2024. The top posts within this trend are dominated by diaspora’s ethnicity theme and millions of users were engaged in these posts. This phenomenon resonates with Johnson and Callahan (2013) study that found the possibility of social media to provide a space for the infamous culture to be expressed and seen in a positive perspective. New media in this case also projects the elimination of boundaries which enables the diasporic community to be networked by the similarities of their cultural background that are represented online (Georgiou, 2013). The engagement in #ofcourse trend is a portrayal of the virtual community defined by Andersson (2019), a non-geographical place for cultural expression that was born as social media offers an equal place for everyone to be represented publicly.  

Prior to the #ofcourse trend, many attempts have been made in campaigning the awareness of ethnic diversity on digital platforms. This kind of online social movement aims to eliminate discrimination and racism that as discussed above, frequently occur to immigrants. The campaigns, however, were mostly delivered in a standard form and non-humorous way. This is understandable as the topics around ethnicity and injustice are sensitive issues. Then came the #ofcourse trend succeeded in gaining attention and involving people to introduce their stereotyped background with humour. Sakshi (2024) believes that the trend began in November 2023 on TikTok, when @experiencecamps posted a video about the behaviour of grieving people. Although in the beginning, this trend did not talk about ethnicity, the phrasal template rapidly evolved to be used in explaining various forms of identity, including cultural background. The impressive thing about this trend is that it tries to normalise the stereotype that is linked into a particular identity. Through the #ofcourse trend, people can also turn tragedy into a comedy and embrace it together with others who find the situation as a relatable event. 

Furthermore, the #ofcourse trend does not only promote the culture and behaviour that is associated with certain ethnicity as a form of normality, but some videos also raise sensitive issues such as the history of colonialism or the traumatic experiences that previously are only understood by the represented group. The concept of this trend has allowed digital diaspora not only to connect with each other but also help people outside the group, even those who belong to privileged communities, to be aware of the situation that was probably unimaginable before and build empathy. This understanding is significant in achieving the goal of an equal real world. Altimira and Casanueva (2017) believe that equality can easily come true when people in a community are exposed with awareness of background diversity.

The accents which previously discussed as one of the factors that prompts the feeling of inferiority, is also represented in some of #ofcourse trend content. Many accents that were perceived as the embarrassing aspect of one’s identity, are used in the posts and become relatable representations which encourage people of the ethnicity to share it with pride. One of the examples of this case is the #ofcourse trend videos posted by @hidayah_subaer on Instagram. As an Indonesian diaspora in Canada, she actively portrays her cultural background and uses Makassar’s dialect, which is one of Indonesia’s regional accents that is often stigmatised as a rude accent as it is completely different from the capital city’s (Jakarta) dialect and being under-represented for a long time. The #ofcourse trend has helped certain groups of communities overcome linguistic inferiority by representing as well as connecting diasporic groups that geographically live in distance from one to another. de Bres and Nicholas (2021) found that a positive representation upon one accent is strongly impactful in lifting the insecurity of one’s accent. By representing accents, this trend does not only change the perspective that particular accents are less favourable but also builds awareness that although dialects symbolise one’s unique identity, not a single variety of linguistics should lead to an exclusion or even bullying. 

However, as many other trends on social media, the #ofcourse trend also has some possible drawbacks in terms of embracing diaspora’s cultural background. First of all, the stereotypes that are portrayed as comedy in trending videos may hurt the community instead of helping them to accept it as their part of identity. Moreover, the way people react to a post in social media may vary and on many occasions are difficult to predict. The other thing about this trend that should be highlighted is that it could also exaggerate the portrayal of a particular culture. Despite experiencing the same life as diaspora, people could still define their identity in a different perspective, therefore, particular topics might not be acceptable as the representation of their background. This can also lead to misrepresentation which instead of shaping a positive image of one community, an #ofcourse trend video may present racism toward a certain group. Nessi García (2019) also found that communication through social media could be a form of preserving social class instead of promoting equality, especially when the representation of a community comes from privileged groups. Hence, if the #ofcourse trend still has the probability to scatter the diaspora instead of networking them digitally.

Conclusion 

Throughout this paper, the socio-cultural issues such as inequality, linguistic prejudice, and lack of media coverage that drive the inferiority upon the cultural background of diasporic communities has been discussed. At the same time, social media appeared to be a form of new media that shed a light in providing a neutral and equal cyberspace for cultural diversity. The recent trend which is called the #ofcourse trend challenge became popular on TikTok and Instagram. The phrasal template brings a concept of introducing the under-represented identity in a short and amusing way. The trend has engaged millions of users over TikTok and Instagram only months after it first began. Stereotypes and unfamiliar behaviours that are associated with particular ethnicity, are being expressed as a normality through this trend. The #ofcourse trend conquers the inferiority, under-representation, and prejudices that has long occurred to certain groups of ethnicities. It provides digital connection through the promotion of similar experiences among diasporic people and helps them overcome ethnic inferiority. 

Nevertheless, as many other occurrences in social media, there is a possibility of unpredictable and unwanted reactions towards posts within the #ofcourse trend. The represented community might not feel that they are correctly being portrayed, especially because even online diaspora with similar cultural background, may have different situations in economic and social background. In some cases, instead of constructing a positive view on the promoted culture, the posts might preserve prejudice and stereotypes instead. In the end, social media and trends are only tools and how they work really depends on the way people take a stand.

 

References

Altimira, M., & Casanueva, C. (2017). Raising Awareness on Diversity and Equality in STEM Degrees in Higher Education. In INTED2017 Proceedings (pp. 1037-1041). IATED.

Andersson, K. (2019). Digital diaspora: an overview of the research areas of migration and new media through a narrative literature review. Human Technology, 15(2), 142-180.

Asur, S., Huberman, B. A., Szabo, G., & Wang, C. (2011). Trends in social media: Persistence and decay. In Proceedings of the International AAAI Conference on Web and Social Media (Vol. 5, No. 1, pp. 434-437).

Atuel, H., Seyranian, V., & Crano, W. D. (2007). Media representations of majority and minority groups. European Journal of Social Psychology, 37(3), 561-572.

Bleich, E., Bloemraad, I., & De Graauw, E. (2018). Migrants, minorities and the media: Information, representations and participation in the public sphere. In Migrants, Minorities, and the Media (pp. 9-25). Routledge.

Bradford, C. (2012). Race, ethnicity and colonialism. In The Routledge Companion to Children’s Literature (pp. 39-50). Routledge.

Cheung, W. (2022). Accent Discrimination Towards Non-Native English-Speaking People of Colour. Beyond Boundaries: Mastering the Liberal Arts, 2, 72–82. 

de Bres, J., & Nicholas, S. A. (2021). The sexiest accent in the world: Linguistic insecurity and prejudice in media coverage of the New Zealand accent. Te Reo-The Journal of the Linguistic Society of New Zealand, 64(1), 15-32.

Diamandaki, K. (2003). Virtual ethnicity and digital diasporas: Identity construction in cyberspace. Global media journal, 2(2), 1-14.

Duong, B. (n.d.). Make your day. TikTok. https://www.tiktok.com/@ben.duong/video/7324138255224540458?q=ofcourse+asian+diaspora&t=1714527913111

Engerman, S. L., & Sokoloff, K. L. (2005). Colonialism, inequality, and long-run paths of development.

Georgiou, M. (2013). Diaspora in the digital era: Minorities and media representation. Jemie, 12, 80.

Grosfoguel, R. (2004). Race and ethnicity or racialized ethnicities? Identities within global coloniality. Ethnicities, 4(3), 315-336.

Harrigan, N., Achananuparp, P., & Lim, E. P. (2012). Influentials, novelty, and social contagion: The viral power of average friends, close communities, and old news. Social Networks, 34(4), 470-480.

Heinrichs, J. H., Lim, J. S., & Lim, K. S. (2011). Influence of social networking site and user access method on social media evaluation. Journal of Consumer Behaviour, 10(6), 347-355.

Henneman, H. (2024, February 1). Of course tiktoktrend, what is of CourseTrend on TikTok?. MoxSync. https://artistbioanswers.ams3.digitaloceanspaces.com/of-course-tiktok-trend-what-is-of-course-trend-on-tiktok.html 

Johnson, J. L., & Callahan, C. (2013). Minority cultures and social media: Magnifying Garifuna. Journal of Intercultural Communication Research, 42(4), 319-339.

Landivar Landa, N. (2022). Attitudes towards accents in the United Kingdom: a sociophonetic analysis.

Level: Asian on Instagram: “*for legal reasons we’re just kidding on the accounting bit 👀 #wereasianaustralian #levelasian #ofcourse.” Instagram. (n.d.). https://www.instagram.com/reel/C4KstOhP90s/?utm_source=ig_web_copy_link

Nessi García, L., & Guedes Bailey, O. (2019). The Mexican European diaspora: class, race and distinctions on social networking sites. Journal of ethnic and migration studies, 45(15), 3007-3022.

Orelus, P. (2021). All accents matter: An anticolonial examination of the effects of standard accent hegemony on linguistic minorities in the United States.

Robins, N. A., & Jones, A. (Eds.). (2009). Genocides by the oppressed: subaltern genocide in theory and practice. Indiana University Press.

Sakshi. (2024, January 26). We’re X, of course we y. Know Your Meme. https://knowyourmeme.com/memes/were-x-of-course-we-y 

Subaer, N. H. (2024, January 15). hidayah_subaer on Instagram: “Saya Orang makassar EPS. 1 Sudah Tiga Tahun Saya di Kanada, Tolong Viralkan Biar Saya Bisa Pulang Ke Makassar 🤪 (Kalau Ramai Saya Bikin EPS. 2 wkwkwkwk) #makassarinfo #sulawesiselatan #lucu.” Instagram. https://www.instagram.com/p/C2G9g8VLWEx

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Comments

26 responses to “The Impact of the #OfCourse Trend on TikTok and Instagram in Embracing Ethnicity of Diasporic Community”

  1. Desi Marliani Avatar
    Desi Marliani

    Hi Isnaini, 
    You wrote about a very interesting and specific topic. I’ve encountered some hilarious content from Indonesia that resonates with my family’s experiences from two generations ago. As you don’t have any visual audio samples to support your paper, to be more engaging, I would suggest writing an example from what you think is hillarious. I came across #offcourse I’m Indonesia, as I always come home with new cutlery after checking out of hotels. 🙂 … We are embracing our culture without realising it, and stereotypes aren’t really stereotypes after all. 

    It would be great if you could read my paper and leave a comment or suggestions. 

    https://networkconference.netstudies.org/2024/icodsm/3032/facebook-group-as-digital-bridges-building-an-online-community-for-the-social-development-of-indonesians-and-australians-intercultural-matrimony/

    Kind Regards,
    Desi

    1. Isnaini, S Avatar
      Isnaini, S

      Hi Desi,

      I appreciate that you allocated time to read my paper and think it is an exciting topic. Also, I think your suggestion is excellent; I will definitely embed one or two videos in my post.

      Cheers,

      Syifa

  2. Mishma Noyan Avatar
    Mishma Noyan

    Hello Isnaini! I knew about the #ofcourse trend on TikTok and Instagram, but I learned more about it as I read your paper.
    In your paper, you mentioned that the hierarchy of accents is linked to colonialism, with less preferable accents from colonized nations and sophisticated accents of oppressors.
    On media in general, whether TV or Social Media, many users would make fun of people with accents. Even if accents are normal, many users, especially those who speak only one language, will bully people speaking in their second or third language.
    My question to you is, what measures do you suggest to put an end to these types of people online and in person?

    1. Isnaini, S Avatar
      Isnaini, S

      Hi Mishma,

      Thank you for reading my paper.

      That is also my concern, seeing some people making fun of others’ accent and culture in public. Such behaviour is definitely inappropriate and discriminating. I believe besides of using trend like the #ofcourse to build awareness, we can organise a collective action to awaken the society that making fun other’s culture and accent is unacceptable. Probably, we can use #MeToo movement as an example, we can start with telling our stories and experiences regarding this issue to attract empathy and use hashtag.

      However, there will always be challenges in fighting racism and discrimination especially toward minorities. Hence, I think the #ofcourse trend is at least a good start to save diasporic communities from the feeling of excluded and alone.

  3. marina Avatar
    marina

    Hi Isnaini:
    After reading your paper, I feel the same way, I want to know, do you often participate in the topics and activities under #of course, do you promote online and offline? If we want to eliminate these biases, what should we do?

    1. Syifa Isnaini Avatar
      Syifa Isnaini

      Hi Marina,

      Thank you for reading my paper. Honestly, I do not produce any content under the #ofcourse hashtag; however, I often share one or two posts that I feel are relatable.

      I believe biases will always follow a new trend, but the choice is in our hands. As creators, it is wise to explore as much information as possible before producing social media posts and also curate the content before making it public. Meanwhile, as audiences, we have to stop engaging with problematic posts on social media. Ignoring them is the best way to stop the algorithm from making problematic content visible.

      I hope these can answer your question.

      Cheers,

      Syifa Isnaini

  4. Haoyu Wang Avatar
    Haoyu Wang

    hello, Isnaini,
    The #ofcourse trend you mentioned in your article brings a sense of belonging and pride to the diaspora community, which is important for those who hide their identity due to low self-esteem or other reasons, and through #ofcourse, people have the opportunity to demonstrate unique behaviors related to their racial, cultural, or ethnic background. How do social media trends compare to the role of traditional media in shaping ethnic and cultural identity? Does social media provide more diverse and inclusive representation? I’d like to hear your opinion on these two issues.
    Also, I wrote an article that is slightly related to your article about how social media can promote cultural diversity. If you are interested, please read and comment.
    https://networkconference.netstudies.org/2024/onsc/3418/social-media-and…ltural-diversity/

    1. Syifa Isnaini Avatar
      Syifa Isnaini

      Hi Hayou,

      I appreciate you’re taking the time to read my paper. Thank you.

      I agree that social media facilitates more diverse representations than conventional media. On social media, people can produce their own content and become the stars, and the creators’ intentions are usually more genuine. Meanwhile, in traditional media, the production process is long and involves many parties, and sometimes it focuses more on commercialism. Therefore, they have to stick to beauty standards, etc. In other words, social media is way more democratic and provides an equal space for everyone to present their identity publicly.

      Sure, I will definitely read your paper and discuss it in the comment section.

      Regards,

      Syifa

  5. dale_b Avatar
    dale_b

    Hello Isnaini,

    What a wonderfully written paper! You have opened my eyes.

    I don’t use TikTok but think this #ofcourse trend on TikTok is fantastic and serves as a significant tool for embracing and celebrating ethnicity of diasporic communities.

    Here we see social media supporting social interaction and cohesion via visibility and representation. Social media is providing a platform for underrepresented ethnic groups and is allowing them to share their cultural backgrounds and experiences with a wider audience.

    This trend encourages individuals to showcase their identity, their ethnicity, and in a humorous and relatable way. Visibility is helping to combat ethnic inferiority by promoting cultural diversity and celebrating each individual’s identity, while fostering a sense of community among users who have similar cultural backgrounds.

    By participating in the #ofcourse trend and engaging with others online, users can connect with individuals who understand their challenges. The sense of belonging gained from online is important for diaspora communities, especially those who feel isolated or marginalised in new environments. Diasporic individuals can not only feel proud to celebrate their cultural heritage and identity, but also feel empowered.

    It is a terrific way to educate the public and raise awareness of diasporic communities. Social media platforms provide an easily accessible stage world-wide where stories and experiences can be shared with a massive audience. This is a great way to reach more people in the hope to break down stereotyping and promote inclusivity.

    This trend is facilitating interaction on social media platforms and assists with community building. It is a cultural celebration of diasporic communities. This is a space where individuals can share their stories, challenge stereotypes and connect with others, and this plays a vital role in promoting diversity, inclusion and empowerment.

    Apart from TikTok and Instagram, in what ways could other social media platforms (using their unique functionalities) showcase diasporic communities, different cultural backgrounds, and celebrate cultural identity?

    Congratulations on delivering such an exceptionally insightful conference paper.

    I would really appreciate it if you could read my paper in the Communities and Social Media stream. Here is a link to access it – https://networkconference.netstudies.org/2024/csm/3338/exploring-facebook-fostering-strong-connections-knowledge-sharing-and-cultivating-belonging-within-a-school-setting-a-case-study/

    Kind Regards,

    Dale.

    1. Syifa Isnaini Avatar
      Syifa Isnaini

      Hi Dale,

      Thank you so much for reading my paper and leaving a nice compliment.

      Besides Instagram and TikTok, Twitter also provides space for the diasporic community to celebrate their identity. However, on Twitter, people use threads or conversations by replying or retweeting a tweet that talks about their cultural background instead of producing audio or video content. In other words, on Twitter, people can also celebrate their identity more spontaneously (because they do not have to produce any content; they just have to start or join a text-based conversation).

  6. JKelly34 Avatar
    JKelly34

    Hi Isnaini,

    i found your paper to be quite insightful into the different ways that cultural ethnicity is being explored within the digital realm in the modern day.

    This trend has certainly placed a foothold within internet history as a multitude of different cultures and groups have partaked in the trend to share their views in an open and more holistic approach.

    On such large and expansive platforms such as tiktok, Instagram, etc. it is important to see that cultural awareness makes its way onto digital spheres and I believe this was a great way to do this.

    Personally I have seen this trend a good few times and I also believe its a good lighthearted way to incorporate humor and entertainment into sharing cultural and personal beliefs.

    1. Syifa Isnaini Avatar
      Syifa Isnaini

      Hi Kelly,

      I am happy to hear that you enjoy reading my paper.

      Yes, that is exactly what I thought while writing this paper. Apart from many opinions about social media’s negative sides, this trend sheds light on how social media could facilitate positive trends and conversations. Moreover, on social media, the representations seem to be more genuine, especially because they come from someone who actually holds the identity they represent.

  7. Wynetta Metasurya Avatar
    Wynetta Metasurya

    Hi Isnaini,

    As someone who followed the #OfCourse trend quite closely, I find this insightful! Every time I find videos with these trends, I always find them enjoyable and even sometimes relatable. As you stated, they embrace one’s ethnicity in a humorous and fun way.

    You mentioned how, prior to the #OfCoure trend, there were campaigns that raised awareness about ethnic diversity and how they’re likely to be wrapped in a “standardised” and non-humourous way, in contrast to the #OfCoure trends. Do you have any example of one of the campaigns prior to the #OfCourse trend that you think could have the chance to be brought up or converted in a humorous or sarcastic stereotypical manner?

    Also, usually, campaigns regarding raising ethnicity awareness can be considered part of advocacy, so by comparing the campaign to these trends, does this mean you consider this #OfCourse trend to be a form of advocacy? And how so?

    Best,
    Wynetta

    1. Syifa Isnaini Avatar
      Syifa Isnaini

      Hi Wynetta,

      Thank you for commenting on my paper.

      I do not have specific examples that can be compared to the #ofcourse trend. However, if we perceive the #ofcourse trend as part of digital advocacy (which is also your question), many previous digital movements that share similar backgrounds and experiences among social media users were started as a response to tragedies, such as #blacklivesmatter. In my opinion, the #ofcourse trend could be presented in a humorous form because it is like a preventive action; meanwhile, other movements alike are more like protests for a particular tragedy regarding discrimination.

      Therefore, for the second question, the answer is yes; the #ofcourse trend could be perceived as a digital advocacy. Even though it is presented as comedy, it tries to represent a particular community and talk about the hardships they face regularly. It also aims to raise awareness regarding diversity.

  8. Ananya Avatar
    Ananya

    Hi Syifa,

    I’ve watched countless TikToks and reels of the #ofcourse trend, so I found your paper particularly enjoyable!
    The trend has given diasporic communities a chance to address cultural stereotypes and their feelings of ethnic inferiority whilst still keeping the content light hearted. The videos I found most relatable were ones created by children of Asian immigrant parents. Seeing other people with similar backgrounds share their “of course” phrases provided me with comfort as I could see that I am not alone in my experiences (whilst also making me laugh a lot!).

    I’m glad that you mentioned the potential drawbacks of the trend as well. I have noticed that as the trend gets more popular, some creators are reinforcing negative cultural stereotypes for comedic purposes. The videos are meant to be funny and targeted to people of the same community as the creator. However, I am concerned that leaning in to stereotypes may encourage racism from others as they think it is funny to both parties. I wonder if you share this concern and have any ideas on how this could be minimised? Or perhaps this is just the natural outcome of trends based around culture in the world we live in!

    Once again, I really enjoyed this topic! Great job!

    Kind regards,
    Ananya

    1. Syifa Isnaini Avatar
      Syifa Isnaini

      Hi Ananya,

      Thank you for reading my paper and sharing your thoughts on it. Honestly, yes, it is also my concern. There is a thin line between celebrating identity with humour and perpetuating stereotypes. However, I have come to the conclusion that to minimise the chance of this issue, I think the ones who can make fun of the stereotypes are only the natives of the identity itself because they are the ones who understand their background and which is appropriate.

  9. Angus Avatar
    Angus

    Hi Syifa,

    Your analysis of the role social media has had in cultural representation and the #ofcourse trends’ impact on the ethnic identity of diasporic communities is a valuable contribution. I find it truly fascinating to observe how this trend has become a platform for individuals to express and affirm their ethnic identities, challenging stereotypes and fostering a sense of community among the diaspora. The #ofcourse trend is not one that I was particularly familiar with before reading your paper, but I feel you have effectively underlined the trend’s potential to empower and promote pride within diasporic communities.

    I am interested in the mechanisms behind the transformation from stereotypes to positive identity affirmations within this trend. How do you see the balance between breaking stereotypes through humour and perpetuating them? Additionally, you mentioned the potential drawbacks of reinforcing negative stereotypes. Could you elaborate on how content creators and platform moderators could manage these risks to ensure the platforms continue to empower people?

    – A

    1. Syifa Isnaini Avatar
      Syifa Isnaini

      Hi Angus,

      Thank you for allocating your time to read my paper and leave such an interesting question. Honestly, I have been thinking about the same question, and I concluded that the line between breaking stereotypes through humour and perpetuating them lies in who brings up the talk about that particular identity. In my opinion, only natives are allowed to bring up their cultural identity as comedy content on social media; otherwise, it could be seen as a cultural appropriation. Hence, it is important for content creators to avoid making fun of someone else’s culture; for instance, mimicking their accents or behaviour. On the platform side, I think the report feature is already useful enough. If a social media platform regulates too much about how users should behave, it will lose the democracy that distinguishes new media from conventional ones.

      Happy to discuss more about this with you.

      Regards,

      Syifa

      1. Angus Avatar
        Angus

        Hi Syifa,

        Thank you so much for your insightful response! Your perspective on the importance of cultural authenticity in content creation I believe is truly important. Furthermore, I agree that the emphasis should be placed on this being a role of natives exclusively, as others should not have a say in shaping the narrative around their cultural identities of other people through poor representation of stereotypes. Additionally, I strongly believe it is crucial for creators of all content not just digital, to be mindful of cultural sensitivities.

        I slightly disagree with the notion that platforms are doing enough to combat cultural appropriation. It’s important to acknowledge that biases can play a role in content moderation, whether it’s done by humans or automated systems. This can be particularly concerning for marginalized groups who may be disproportionately impacted.

        Here is an important article about a “technical bug” experienced by Instagram in relation to censoring the Missing and Murdered Indigenous Women and Girls (MMIWG) campaign.
        https://theconversation.com/beyond-a-technical-bug-biased-algorithms-and-moderation-are-censoring-activists-on-social-media-160669

        But, I believe this raises an interesting question: at what point or at what line would it be considered reasonable to censor parts of these platforms that are deemed offensive, and who should have the authority to decide what gets censored?

        – A

        1. Syifa Isnaini Avatar
          Syifa Isnaini

          Hi Angus,

          That is new to me; thank you for sharing this. I think the challenging part of social media is the rapid development of its features, which I think people and even the government cannot keep up with. I believe that there will always be flaws with the ruling on the use of social media. Nevertheless, as users and part of society, we must keep on demanding the government and social media platforms to focus on doing their best to stop any form of cyberbullying and discrimination. As users, we can also do something about this by not being reactive on social media. Avoid joining any new trend before learning about it thoroughly, and do not leave any comment or reaction until we are sure that it is appropriate; if in doubt, just stay away from it.

          Furthermore, with the absence of boundaries on social media, I feel like it is very challenging to control how people behave on it. I am aware that this should not be an individual responsibility, but at least I always try to focus on what I do and which role I can play to help making social media as a safe space for everyone.

  10. lilymesfin Avatar
    lilymesfin

    Hey Syifa,

    I really liked your post, internet challenges can really provide a welcoming space for different groups in society. They work to challenge ethnic inferiority, a concept you mention in your paper, which I closely relate to as a child of immigrant parents.

    Social media trends and challenges can promote positive social interactions for ethnic children in particular as they find things to relate to amongst their peers. I can tell you this would’ve made my life at school so much easier, I feel that online discourse can really help remove stigma and help connect different people together.

    An example of this I can think of is the recent popularisation of the song ‘Love’ by Keyshia Cole being sung by middle schoolers in America, I’ve attached the video here. https://www.tiktok.com/@thebrothareeseshow/video/7295027461014818091?lang=en

    This rnb song was released years ago, but because of the trendy nature of social media it made a comeback and this demographic has interacted with it on a large scale. In the video you can’t see not one person enjoying themselves, this trend promotes unity and togetherness.

    Do you have any more examples of internet challenges engaging diaspora community?

    1. Syifa Isnaini Avatar
      Syifa Isnaini

      Hi Lily,

      Thank you very much for reading my paper and sharing your insight. The video that you shared is also super interesting, I love seeing people using social media as a place to share a sense of unity.

      There is plenty of social media content that connects the diasporic community, apart from the #ofcourse trend, as simple as videos of traditional food recipes, which sometimes bring people memories of their hometowns. However, the #ofcourse trend makes a difference because it encourages people not only to enjoy the videos but also to produce their own content and share about their culture.

  11. madelinesummers Avatar
    madelinesummers

    Hey Syifa,

    Thanks so much for sharing this! I did not know anything about the #ofcourse trend, and enjoyed reading about it. I should preface my comment by letting you know I’m a white woman, and though I do my best I may come across as ignorant and encourage anyone to pull me up if need be 🙂

    When you mentioned humour to heal trauma in content, it immediately reminded me of Black Comedy – a show on SBS by blackfellas – which actually utilises satire of aspects you mentioned in your paper such as accents, trauma and stereotypes. I know it isn’t social media content but it felt similar in content enough that you might find it interesting. I found it hilarious! From what I’ve read as well, the Indigenous community often enjoy it as well.

    My question to you is what kind of impact do you think #ofcourse and similar trends have had on diasporas around the world? Have you noticed shifts, even small ones, in the way communities (especially colonisers and the colonised) interact with each other?

    Cheers!
    Maddie

    1. Syifa Isnaini Avatar
      Syifa Isnaini

      Hi Maddie,

      Thank you for reading my paper. I am glad that you enjoyed it :).

      I noticed that conventional media have also tried facilitating representations and building diversity awareness through their shows. Besides Black Comedy, TV series like Kim’s Convenience also tried to portray the life of the diaspora with humour. As an Asian who is represented in the show, I can say that the show portrayed our culture very well, and somehow, it makes me proud to be an Asian diaspora. I believe this is what the #ofcourse trend fosters; it helps the diasporic community be proud of their accents and unique lifestyles instead of being ashamed of it. The relatable experiences that are often brought up in the #ofcourse videos also prevent the diaspora from feeling lonely because they know that some people can relate to their experiences.

  12. hayleyjoyce Avatar
    hayleyjoyce

    Hi Isnaini,
    This was my first time hearing about the #of course and it was very insightful! It sounds like diasporic communities now have the opportunity to confront cultural prejudices and their sense of ethnic inferiority while maintaining a lighthearted tone thanks to this trend.

    1. Syifa Isnaini Avatar
      Syifa Isnaini

      Hi Hayley,

      Thank you for stopping by and reading my paper. I know, right? This trend has shed some lights on the positive impact of social media trends. I am glad that I can share my insight through this paper.

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