Revolutionising Music Community Building: Tiktok’s Impact on Engaging new and old Audiences compared to Traditional Record Label Models.

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“How has Tiktok’s emphasis on community building within the music industry been able to reach and engage new and old music communities better than traditional music record label models”

 

Abstract

 

In recent years, the music industry has been infiltrated by a prominent force emphasising community building and user-generated content. This specific force is Tiktok. In this paper, we explore how the approach Tiktok has had towards community building has engaged and reached music communities and audiences more effectively than the traditional models that record labels use today. We will draw upon statistics, industry data, and case studies to analyse and examine what makes Tiktok’s community-building techniques unique, including the algorithmic recommendation systems and user-generated content. We will also discuss the implications of Tiktok’s success for the broader music industry community and how it has the potential to disrupt the traditional music industry power structures, providing new opportunities for emerging artists to grow organically and frugally. This paper will argue that Tiktok’s approach to community building offers many valuable insights and can potentially invalidate traditional record labels’ models of community building.

 

  1. Introduction

 

In the past few years, social media has been solidified as the new-age mechanic in changing industries and communities across the globe. Marketing has evolved to where traditional tools have become less efficient, and new techniques, such as influencer marketing, have grown exponentially. Influencers have a hardcore fanbase who follow their content for entertainment and inspiration. The fanbase often gives high engagement. Many businesses take advantage of this and have shifted their traditional advertising strategies to include sponsorships and content collaborations with influencers to connect to a wider social media following, creating a heightened genuine and authentic approach than the alternative “in-your-face” marketing. Tiktok has allowed content creators and social media entrepreneurs to trend overnight and become influencers. Music community building in the past without social media was often limited by geographic location, genre, industry connections and reach. However, social media such as Tiktok has enabled the creation of new music communities withstanding these limitations and breaking traditional boundaries where online communities can find artists through each other based on shared interests by the algorithm. The communities can have a massive impact on the success of an artist or a song through high engagement and user-generated content to popularise trends from any genre or culture. These fandoms amplify their undiscovered, underrepresented opinions to build and engage their community leading to a more diverse and inclusive culture in music.

 

  1. Background

 

Tiktok, a video-sharing app created in 2016, rose to virality during the Covid-19 pandemic and has become the go-to platform for discovering new music and content (Dever, 2022). SMPERTH (2023) has stated that today Tiktok has approximately 1 billion active users monthly. Many artists have taken advantage of this large population by strategizing their releases by previewing songs, creating trends, and even paying influencers to market their songs. In some cases, songs that trend on Tiktok often end up on the Billboard charts. The rise of Tiktok has changed the music industry in a way where artists do not necessarily need to have a record label deal to become successful and viral. Tiktok requires no or minimal financial investment. Global outreach can occur where the song can become popular in different countries, and the release of music and promotion is done with less effort where the artist can get reactions from releasing samples of their music to understand their audiences better and save time and money investing into a song that may not perform as well. (Influence Digital). However, some argue that record label models are becoming less valuable due to the rise of Tiktok. Some limitations that a record label has, according to Chiftalaryan (2019) are that they have a lack of resources to distribute and market songs successfully, have difficulty promoting unknown artists due to not having adequate knowledge of their audience and demographic, have too much competition where independent artists and smaller labels may have a better position to connect with specific communities, and finally they lack authenticity where they are unable to capture a genuine connection between an artist and their community. Despite this, Tiktok has adapted these limitations with their community building to create a fluid working model helping artists capitalise on their communities at a greater length.

 

III. TikTok’s Community Building Model

 

The concept of Tiktok’s community-building model focuses on algorithms and, most importantly, user-generated content. According to Beveridge (2022), user-generated content is any form of content, whether it be videos, images, and reviews created by people rather than brands. From a music marketing perspective, this shows that the content that can be made is genuine and can hold endless creativity users can create or engage in popular trending content that can extend to a larger audience. This is important as an artist’s fanbase can build a wider community by posting content that catches attention through trends. This also humanises the artist’s brand and creates authenticity for the new audience. With the emphasis on user participation, content can be shared in several ways, according to (Indie Music Academy). Some methods include Dance videos: A viral trend with a short dance can be made for the song that a demographic of mostly girls would spread and engage in. Memes: Humorous content, having the song on the video with context either relating or not relating to the song. Trending Content: Some user-generated content with the song that is trending, even if it is not humorous, just because the content of the video fits with the song. Challenges: Users can engage with a challenge to try their cover or remix of the song. Influencer Collaborations: An influencer with a wider audience may use the song when creating their content, boosting the reach of the song’s success.

Moreover, user-generated content would only be useful if it became a viral trend. The process of content becoming viral runs through Tiktok’s algorithm for every user.
According to Newberry (2023), Tiktok’s key ranking system for their recommendation to new audiences works through factors such as user interactions, where the ‘For You Page’ recommends content based on what the user follows, posts, likes, favourites, marked as “favourite” or “not interested”, watched repeatedly, creates, completes watching a video, and interacts with interest to organic content and advertisements. Another way content is recommended to new audiences is from video information, such as interacting with videos with similar captions, sounds, effects, trending topics and hashtags. Hashtags are important as they can be followed and introduce the video to different subcultures, communities, and topics for a wider spread. An example of a successful campaign combining user-generated content and the Tiktok algorithm is the rise of Lil Nas X. According to Strapagiel (2019), the song “Old Town Road” by Lil Nas X had a genre mix of Hip-hop and Country and propelled to 1# on Billboard Hot 100 from a trending meme where people drank “yee-yee juice” transforming them into a cowboy. The song became famous due to a successful trend from user-generated content and great placement on the Tiktok algorithm. Some artists, however, have their songs go viral even being unaware of the platform due to the pure strong content from their audience (Peter & Riemer, 2021).

 

  1. Comparison with Traditional Record Label Models

 

Compared to Tiktok’s approach to community building, record label models involve work with radio stations, advertisements, music blogs, music videos and merchandise. However, these strategies can be fulfilled by an independent artist who uses Tiktok as these strategies can be sought out independently nowadays due to high networking and connectivity in social media. For an independent artist, advertising can be set up and paid for out of pocket for a low investing amount, music blogs can be emailed and messaged through social media if the social media presence is strong, and music videos can be created through local visual creatives and edited by freelancers online. Merchandise can be made through various mock-up websites on the internet. Also, radio stations have been a diminishing strategy because of the popularity of streaming services in recent years. We are making a transition to everything digital (DBK News). Record labels have recognised the rise of Tiktok and its influence on the music industry for marketing and have even forced several artists to utilise the platform, according to Borg (2022). Record labels’ often have a weakness in building their artist to a community where they may create an ‘industry plant’ artist. An industry plant is a term derived colloquially from the hip-hop genre, defined as “an artist who has a major label backing their movement but presenting them having a homegrown start-up”. This creates an illusion of an organic following for audiences to see. (Mahamba, 2021). Nevertheless, audiences can see past this as the internet shows all movements of an artist through their life. Negative connotations are attached to the word’ industry plant’ as audiences value authenticity. Having a label manipulate and artificially manufacture an artist’s rise to success does not show the artist’s personal experience, as music is mostly about life experiences. However, one weakness that Tiktok has is its large mass of users. A large percentage of creators and artists within the app causes content saturation, making it harder for new audiences to keep up and find the content they resonate with, making it harder for an artist to rise to success.

 

  1. Implications for the Music Industry

 

Historically, record labels and radio stations dominated the music industry, having control of an artist’s and song’s exposure to audiences worldwide. In this new age, Tiktok’s algorithm can be placed on a pedestal because it allows any user to create a viral song regardless of whether they are signed to a record label. This creates the potential of a level playing field, giving more power for independent artists and emerging genres to rise from essentially nothing.

An implication that can occur from TikTok’s community building is that every day millions of new content being uploaded, creating a vacuum of overwhelming attention for audiences to provide, formulating the audiences to have a short attention span, craving a shorter, more simplistic song that has catchy hooks and simple melodies, shifting further away from more complex and experimental tracks. We have discussed that labels are now utilising Tiktok’s community building and are forcing artists to use Tiktok for their marketing and branding. This can disrupt the authenticity of the artist’s creativity in their music as the goal record labels are now chasing artists to create music that will perform well, trend on the platform, and become viral. This may lead to labels reducing creative songs to viral memes that are quickly forgotten, as trends do not last forever. Communities must be engaged in more than just one viral song and genuinely connect with the artist. Another implication is that since Tiktok is now heavily relied on for communities to find new music and artists, a ban on the app could affect the widespread reach to audiences for not only the independent artist but nearly every major artist (Unterberger, 2023). This is a detrimental factor as communities will have to be reached and engaged through outdated tactics, and artists cannot easily create a target audience. They would have to adapt to the traditional unreliable methods.

 

  1. Conclusion

 

In conclusion, this paper presents a compelling argument for how Tiktok has revolutionized community building within the music industry. The argument is significant to the stream about communities and social media because it focuses on creating fandoms within the music community and how they are engaged with and produced with the newfound change in Tiktok’s model. Tiktok has disrupted the traditional music industry, creating communities that are grown effectively, organically, and frugally for artists, thus garnering the potential to invalidate traditional record label models of community building. The opportunities from Tiktok’s 1 billion active monthly users are endless, overcoming the limitations faced by record labels with a fluid working model helping artists capitalize on their communities at a greater length, emphasizing user-generated and authentic content.

 

“Revolutionizing Music Community Building: Tiktok’s Impact on Engaging new and old Audiences compared to Traditional Record Label Models.”Conference Paper

 

REFERENCES

 

Beveridge.(2022). What is User-Generated Content? And Why is it Important?. Hootsuite. https://blog.hootsuite.com/user-generated-content-ugc/

 

Borg. (2022). Why Are Labels Forcing Viral TikToks?. Amplify You. https://amplifyyou.amplify.link/2022/06/labels-forcing-viral-tiktoks/#:~:text=These%20artists%20include%20Charli%20XCX,song%20goes%20viral%20on%20TikTok.

 

Chiftalaryan. (2019). Challenges faced in the music industry by record labels and music managers. Linkedin. https://www.linkedin.com/pulse/challenges-faced-music-industry-record-labels-karen-chiftalaryan/

 

DBK News. (n.d.). Is radio dead?. DBK News. https://dbknews.com/0999/12/31/arc-detzeclfizdtboacddq7edi25u/

 

Dever. (2022). How TikTok has changed the music industry. University of Colorado Boulder. https://www.colorado.edu/today/2022/09/12/how-tiktok-has-changed-music-industry

 

Indie Music Academy. (n.d.).TikTok Music Promotion – How It Works & Why It Matters. Indie Music Academy. https://www.indiemusicacademy.com/blog/tiktok-music-promotion-how-it-works-why-it-matters

 

Influence Digital. (n.d.). How TikTok Is Transforming The Music Industry. Influence.Digital. https://influence.digital/how-tiktok-is-transforming-the-music-industry/

 

Mahamba. (2021). Industry plants and what they mean. Bubblegumclub. https://bubblegumclub.co.za/music/industry-plants-and-what-they-mean/

 

Newberry. (2023). 2023 TikTok Algorithm Explained + Tips to Go Viral. Hootsuite. https://blog.hootsuite.com/tiktok-algorithm/#:~:text=Much%20like%20the%20Instagram%20algorithm,%2C%20or%20doesn’t%20like.

 

Peter, Riemer. (2021). Love it or hate it, TikTok is changing the music industry. The Conversation. https://theconversation.com/love-it-or-hate-it-tiktok-is-changing-the-music-industry-171482

 

SMPERTH. (2022). TikTok Statistics for 2023 // Facts & Figures. Social Media Perth. https://www.smperth.com/resources/tiktok/tiktok-statistics/#:~:text=TikTok%20boasts%20approximately%20one%20billion%20active%20monthly%20users.

 

Strapagiel. (2019). How TikTok Made “Old Town Road” Become Both A Meme And A Banger. Buzzfeed News. https://www.buzzfeednews.com/article/laurenstrapagiel/tiktok-lil-nas-x-old-town-road

 

Unterberger. (2023). 5 Ways a TikTok Ban Might Affect the Billboard Charts. Billboard Pro. https://www.billboard.com/pro/tiktok-ban-affect-music-billboard-charts/.

 


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Comments

20 responses to “Revolutionising Music Community Building: Tiktok’s Impact on Engaging new and old Audiences compared to Traditional Record Label Models.”

  1. Beau.Lear Avatar
    Beau.Lear

    Hey Luke, great read. I was wondering though, if over saturation is a possible issue that TikTok faces how do you think they could overcome this, and do you think this is the only think holding TikTok back from taking over major record labels?

    1. Luke Lwin Avatar
      Luke Lwin

      Hi Beau, thank you for taking the time to read my paper. Over saturation of content and influencers could leads to lower quality content. This can cause audiences to neglect in engaging and participating to new songs of new artists when the algorithm shows them. One way I think that over saturation can be shifted is through the algorithm targeting specific content that goes viral, and taking in regards the factors of comment sections, shares and likes ratio.

      Thank you, Lukee

      1. Beau.Lear Avatar
        Beau.Lear

        Thanks for the reply Luke

      2. Beau.Lear Avatar
        Beau.Lear

        Thanks for the reply Luke.

        Do you think this means that as people rely more and more on algorithms to determine their tastes music will be more divergent or convergent?

  2. Sarah Avatar
    Sarah

    Hey Luke,

    This was an interesting read!

    Do you think ultimately the reduced barriers to entry provided by social media is an improvement on the traditional means of music promotion? As someone who has seen a fair share of music marketing on TikTok, I often find audiences are sick of the song by the time the promotional cycle is finished and the music is finally released, since trends on TikTok are popular for very short amounts of time (usually far shorter than the promo is ongoing for!). I’ve also noticed that TikTok seems to fuel one-hit wonders for independent artists. Sure, major artists like Doja Cat who are already industry-backed see pretty continual success on TikTok, but I can’t think of a single independent artist who’s had any longevity due to a song becoming popular on the app. As you say, TikTok also pushes music that is simple, catchy, and unexperimental, which I think is ultimately negative, even if it is easy to find a (possibly short-lived) audience with relative ease.

    I’d love to hear your thoughts!
    Sarah

    1. Luke Lwin Avatar
      Luke Lwin

      Hey Sarah thank you for reading my paper,
      An artist should not just stick to the same routine of pushing one song with the same technique of content, they should always work on their branding as well as it is the biggest driving force in keeping fans, if I went viral on Tiktok I would capitalise on the new eyes and actually show my personality and brand to capture an audience that will last longer. Trends are always short-lived, the best way to recieve ongoing traffic is to garner their attention out of the unique things that an artist would bring to the content they make.
      Thank you, Luke

      1. Sarah.Bailey Avatar
        Sarah.Bailey

        Hi Luke,

        Thank you for your response.

        Do you think that a focus on branding and marketing as an artist ultimately leads to a loss in authenticity? It seems like “selling out” in this way is now the norm for the industry, where not long ago the sacrifice of artistic integrity of musicians was something that was derided by fans.

        Sarah

  3. YuanNing.Choi Avatar
    YuanNing.Choi

    Great paper, Luke!

    I particularly find it interesting how more artists are creating songs “for TikTok,” as you pointed out, with tracks becoming shorter and focus being on hooks/choruses rather than a fully fleshed-out song. I dislike the way TikTok is driving and encouraging this; for me, most newer tracks sound “unfinished” compared to when traditional labels were present.

    With more resources than ever to promote and create songs, do you think TikTok has also shifted the paradigm for independent artists from the age of Soundcloud even more so than the initial Soundcloud wave? Are we approaching an age where artists are taking control back from the labels?

    I’d love to hear what you think,

    Ning

    1. Luke Avatar
      Luke

      Hey Ning,
      Thank you for taking interest in my paper.
      There has always been an upgrade in trends within different apps, such as 2015 having the rise of emerging artists on Soundcloud, we now are seeing the Tiktok artists starting to rise from 2020. In my opinion I feel that artists have always had to ability to take control from labels, the only problem independent artists face are having good management and the resources to promote themselves, but Tiktok id a free way to convert promotions to streams so yes. But unfortunately it does mean a lack of creativity because of Tiktok’s short attention span.

      Thank you, Luke

  4. Charlie.Mcewan Avatar
    Charlie.Mcewan

    Great read! TikTok’s influence on the music industry is increasingly obvious, but it is nice to see amateur and indie artists having an accessible platform. However, I have noticed a trend of already popular artists (especially those who are >25 years old, like Florence Welch or Charli XCX) becoming really exasperated with the TikTok content their record labels and managers are clearly forcing them to make, and I can’t help but wonder how detrimental this kind of fast-paced, algorithm-based marketing is to the creative process and general relationship artists have with their audiences. Do you think TikTok is having a noticeable effect on musicians’ attitudes towards content creation? To me, it feels like you have to constantly be on top of the trends, and I find it exhausting.

    1. Luke Lwin Avatar
      Luke Lwin

      Hi Charlie,
      Thanks for the feedback.
      To answer your question as an artist myself, content creation is just part of the job of branding, as you are selling yourself rather than an item. Unfortunately for independent artists the resources are limited and if you are signed to a label they mostly do that work and come with ideas for you, but due to the rise of Tiktok, established artists are now forced to create content, which is not a necessarily bad thing. In my perspective yes, it would be exhausting but at the end of the day I would rather make 5-10 Tiktok’s a day than work a 9-5 to support my income for my branding. Creative depletion can occur but if an artist is already established and has a fanbase they can literally post anything they want to, simple or complex, they will always have their fanbase. The forcing of content creation just keeps fans engaged.

      Thank you, Luke

  5. Shaveena.Appa Avatar
    Shaveena.Appa

    Hello there, Luke.

    I hope you are doing good.

    Your conference paper makes a strong case for the efficacy of Tiktok’s community-building approach over conventional record label methods. It is well-structured and straightforward, which makes it accessible to people with varied levels of understanding on the subject.

    How do you believe Tiktok’s approach to community development might be modified in order to help creators further? Can Tiktok’s approach to community development be used to sectors other than music?

    Kind regards,
    Shaveena.

    1. Luke Lwin Avatar
      Luke Lwin

      Hey Shaveena,
      Thank you for reading my paper.
      I believe that Tiktok’s approach doesn’t need much modification, it already filters out saturated content that is made by inexperienced artists that produce bad quality content. However Tiktok could help out creators by having community pages the way that reddit works, where you can specifically post content to an audience that specifically likes it. Tiktok can definitely be used to approach community development in many areas, any fanbase could be stimulated if the content is branded properly.
      Thank you, Luke

      1. Shaveena.Appa Avatar
        Shaveena.Appa

        Hello there, Luke.

        I hope everything is going well for you.
        Thank you for responding.
        TikTok, you indicated, may be utilized to approach community building in a variety of ways. Can you give some instances of communities that you believe would benefit from TikTok? And on which direction do you see TikTok growing in the future, especially in regards to promoting and supporting content creators?

        Regards,
        Shaveena.

  6. Luke Lwin Avatar
    Luke Lwin

    To see a success of a Tiktok, we would look at engagement and consistency. If only one Tiktok goes viral from the artist’s profile whilst the rest of their content are severely lacking in engagement this shows that the algorithm still works, but the content is lacking. So determining audience’s taste in music will ultimately be defined through the algorithm, because the algorithm shown to the audience and their deciding factor of whether or not to engage shows whether the taste is liked or not.

  7. NhacLinh.Vo Avatar
    NhacLinh.Vo

    Hey Luke

    Thank you for sharing this outstanding paper.
    I see that Tiktok is saturated with bland content when people keep following the same content. Also, related to music, as you mentioned, K-pop is gradually paying attention to making a name for themselves on Tiktok with meaningless lyrics but great dancing.

    Would it be better if Tiktok allowed content creators to charge people who want to follow their content? I think it might help limit the saturated content when users try to copy and follow those content too much.

  8. Avinash Assonne Avatar
    Avinash Assonne

    Hello Luke,

    Your paper was an interesting read. As a music producer myself (I produce electronic music on FL Studio), I found it quite interesting to discover through your paper how emerging social media platforms and apps such as TikTok is helping the music industry to emancipate and developed further more. You are correct, it does feel like TikTok is more flexible and provides more freedom when it comes to sharing and community building within the music industry. The main focus of TikTok is on short, catchy, and well-produced songs that are made specifically to fit the app’s format. Thus, sometimes, not always the best or most worthy music is promoted by the app’s algorithm. Do you believe that this could lead to a homogenization of popular music? as an increasing number of songs are written only with TikTok’s viral success in mind.

    Regards,
    Avinash

  9. Avinash Assonne Avatar
    Avinash Assonne

    Also Luke, if you could please edit my previous comment. I meant to write “…develop* further more”. Made a typo and wrote “developed” instead. Then you can delete this comment. Only the poster can edit comments on his/her post. Thank you in advance.

    Regards,
    Avinash

  10. Carolyn.Roe Avatar
    Carolyn.Roe

    Hi Luke,

    Excellent paper! I particularly like how you’ve covered both the efficacy of TikTok as a tool for the music industry, as well as how it’s changing the social and power structures of the industry.

    I was wondering if you’ve read Heather Fox’s paper? A lot of their thoughts on BookTok as a marketing tool for novels echoes your thoughts discussed in your paper. It’s interesting to see to parallels between the music and print publishing industries!

    Here’s the link if you’re interested
    https://networkconference.netstudies.org/2023/csm/1416/booktok-as-an-authors-tool-how-self-publishing-is-more-accessible-than-ever-to-authors-who-can-utilise-tiktok-as-a-promotional-method/

    Cheers,
    Carolyn

  11. Kyah.Thomson Avatar
    Kyah.Thomson

    Hey Luke,

    Your paper was a fantastic read, the title brought me in straight away as I’m a dj and involved within the music industry so can see how Tik Tok has shifted the industry immensely. I love how you have a strong focus on independent artists rising due to Tik Tok and the ability of building communities and reaching success without record labels. But I notice so many artists getting booked for shows due to one viral video or song. Do you think the rise of the music community on Tik Tok has flooded the music industry? which has lead to a higher quantity of artists rather than quality artists.

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